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Hannah Pittard

Some Nights

Stella sits on the coin-operated pony under the lighted ACME sign of the grocery store. The M doesn’t light up. It never has, but she sits here anyway because she says the yellow lights of the other three letters make her boobs look bigger to the high school boys when they ride by on their bikes. I sit on the sidewalk beside her and count the empty matchbooks and soda can pop tops on the ground next to me.

"Let’s go fishing tomorrow," she says and sucks on the butt of a cigarette that we found in the AC E parking lot. She doesn’t light it because her parents might smell it, but she says just sucking gives her urges. She says it doesn’t give me urges because I’m not developed enough, but I pretend to set her straight, telling her that a butt’s not enough to get me in the mood. "I need a man to do the job right." Sometimes when I say this she laughs. Tonight she pushes her hair back and says, "Yeah, me too," but goes on sucking anyway. She says that if the butt were actually lit, she would swallow the smoke like lemonade. "That way I look tough. Boys like it when girls are tough."

Stella’s kissed more boys than even know my name. She’s let them feel her up; she says they like it when she whispers dirty words in their ears. We practice saying them in low voices under the fluorescent lights of the A, C, and E. She always starts. "Sex," she says. My face turns hotter when I start in, "Boob." "Yeah, and dick," she breathes heavily. I always laugh, but Stella keeps her cool. She’s always cool; nothing gets to her. That’s why we’re friends—I can tell her almost anything. Like when my mom died, and I laughed when my father told me. Stella just held my hand and said, "Yeah, she’s dead." Then she laughed with me, even though I was laughing because it hurt so much in my guts, almost like I didn’t have a stomach anymore.

Some nights, we walk over to Thrift Drug and order burgers. Stella likes hers red in the middle. I like it when they’re so dark that they shrink in size and the juice is cooked out of them. That way, when I add ketchup, there’s always extra that I can lick off my plate. I like to show her I know how to lick. She says it’s disgusting, but I know she’s jealous she didn’t think to do it first. Sometimes we pay; mostly we don’t. Stella knows the boy who works there; she says he’s a good kisser. I think he’s got too many zits on his chin, but Stella says that just means he’s got to be an even better kisser. If she weren’t so cool, I probably wouldn’t believe her.

Pube. Tit. Blow. Stella can go on all night. She knows more swears than me, but tonight I get her to stop early by suggesting we go over to the docks again and watch the high schoolers make out. She says it turns her on; it just makes my cheeks get hot and blotchy. I don’t mind, though, because it’s usually so dark that she can’t see the warm rash around my neck. Tonight, we decide to scare the parkers by opening and slamming the car doors they’ve left unlocked when they walked down to the end of the docks. Stella chooses a brown beater and I choose a two-door heap with the word Catalina written in silver letters across the trunk. The car’s door is long and heavy and I get scared when it takes more energy than I expected to open it. Stella peeks around the rear of her car and says, "Ready?" I count to three and slam the door. I don’t hear Stella’s door but I see her up and already running. I follow her across the street, through a parking lot with grass growing through cracks, and behind Thrift Drug, where she slumps against the dirty concrete of the store’s rear wall.

It’s dark back here. There is light from an open door farther down the wall and sounds of a kitchen and men laughing. I imagine the pimply boy flipping a burger. We crouch down to catch our breath. "Here," says Stella, "sit across from me," and she puts her hand up my shirt. "Feel," she says and puts my hand on her boob. "I’m running out of air," I say. "Shut up and listen." I do, and she is right—our hearts are beating together. Her skin feels thin and heavy, and it reminds of me of that time at the dentist when the doctor numbed my mouth and I was able to feel my face with my hand in a new way—like it wasn’t my own face maybe or like how my face might feel to someone else. Stella loses interest and pulls her hand away. "Let’s go find a boy," she says, and so we walk back along the docks, staying clear of the high school parkers, to the AC E where Stella finds a fresh butt to suck.

We go on like this until ten, but then we have to go home because Stella’s mom doesn’t like her out on the streets after that. "It’s ‘cause she knows the boys will stop and talk to me." My dad doesn’t really mind when I get home, but there’s no point in staying out without her. Also, she says she wouldn’t stay out if I had to go home early, so I do the same for her most nights. That way I know for sure that Stella’s at home. Tonight, she runs down her driveway and turns at the front door, "Don’t forget. Tomorrow we fish," and then she’s gone. I stand where she left me and wait for the second-floor light in the window to the right to turn on. The shade is already down, but I can see when she finally switches on the light. Some nights, if her mother hasn’t pulled the shade and if she thinks of it, she’ll go to the window and dance until she hears me laugh. Tonight, she doesn’t.

I like walking home at night in the summer. Stella lives five houses closer to town than me, but I don’t mind walking the last part alone. Stella says that in three years we won’t have to walk anymore because we’re going to buy a car together. Tilghman Island isn’t more than three miles long, but we’re not buying it for Tilghman. We’re buying it so we can drive to Easton where all the boys have cars. That’s where she says we’ll both have sex for the first time. The boys around here aren’t good for anything more than feeling her up and kissing. "I just hope I last that long." Stella said once that she’d had sex with a boy from school, but then forgot she’d told me. It’s always hard for me to remember my lies, too. But that’s why I like Stella. She doesn’t care.

In the morning, Stella comes over with two fishing permits and a pencil. In the bathroom she locks the door and tells me to take off my shirt. I hug myself. She calls me a sissy and then takes off hers. "This is how you can tell if your boobs are big." She holds the pencil up to her chest and pushes her skin over it to hold it in place. "I don’t think you’re supposed to use your hands," I say. "You try," she says. But I shy away from her. "You know it won’t work on me." She laughs and says, "Yeah, I know, but take off your shirt." I take it off and then stand against the wall with my arms by my side. The wall is sticky and cool on my back. I let her do it for me. I close my eyes. I pretend she is a boy. I pretend she is the pimply boy from Thrift Drug and I let her shove her knee between my legs and cover my mouth with her hand and pretend to kiss me. "There," she says, "now you’re almost experienced." She moves her hand from my mouth, and I pick up my shirt, trying not to catch sight of my body in the mirror.

It’s only fair that I steal the fishing rods from my dad’s closet since Stella got the permits. I don’t know how she got them, though, because they cost ten dollars each. Anyway, it isn’t really stealing since I’ll return the rods later. Plus my dad’s said before that I can borrow them when I want, but Stella says it’s cooler if we pretend we’re taking them without permission. Once, I stole a pack of bubble gum from the AC E. Stella dared me to steal a pack of cigarettes but I didn’t want to; I didn’t like to think about her sucking away an entire pack. Later, in the parking lot, she grabbed the gum from me, unwrapped it and started chewing right there. She offered me a piece but I didn’t take it. I didn’t even take one after we were away from the grocery store.

Some nights, but only some nights, because I don’t like to lie to Stella, I don’t go straight back to my house after walking her home. Instead, I cut around her backyard and head back to the Knapps Narrows. Most people on Tilghman know this is the busiest waterway in the country but most people probably don’t think about that as much as I do. It keeps me up some nights just thinking about how busy it is. All those boats, all those people. All those lives and places that I will never experience.

Stella thinks I don’t have a curfew because my dad doesn’t care about me and because he knows the boys aren’t interested, but that’s not true. It’s because he knows I won’t do anything. He’s always awake when I come home and sometimes he’ll check the fridge and if he’s remembered to buy more, he’ll make me a bowl of ice cream without even asking if I want any. And he’ll get a bowl for himself too, and we’ll eat it in the kitchen, and sometimes he’ll tell me I look more like my mom. I live those nights because it seems like a promise, like an oath, that I am a girl after all and that I will become a woman some day even if not as quick as Stella. I like sitting with him. It makes him happy, which is nice since I think he spends most days feeling pretty lonely.

The day my mom died I was late for school and missed the bus, which isn’t like me. Stella told me later that she tried to make them wait, said she stood in front of the bus and cried, "Not without my friend." She said she called the driver a dick when he ordered her back on the bus. I don’t believe her, but it’s a pretty good lie, I think. And so my mom was mad because she didn’t want to drive me the one mile to school and I didn’t want to walk since it was winter and raining. And so I made myself cry until she agreed. It wasn’t until later, when my dad was standing by the bus home, that I found out. It was funny that my dad was there and so I said, "What? Is mom dead?" And when he said yes, I couldn’t think of anything else but to laugh. And my dad rode the bus home with me because our only car was ruined, and we sat in the back, and I was embarrassed and angry and refused to cry. I could lie and say I kick myself about that day and how it was my fault and how she shouldn’t have been in the car at all and how it was only a mile, but it would be just that, a lie. I feel bad for my dad mostly—feel bad that I guessed like that that she was dead and feel bad that there was nothing for him to say but yes. And I miss my mom, but only in that way that you might miss the physical proof that you are going to become something better one day, something different.

Sometimes, but not to kick myself, I think about those hours between the time my mom died and the time my dad picked me up at school. Why didn’t my dad come get me right away and what was he doing with all that time. But if you really want to know the truth, I wonder more about the tourists in the other car than I do about my mom or my dad. I wonder why they came to Tilghman in the first place. I wonder about their families back home getting the call from somebody—the doctors or the police or whoever makes those phone calls—and I wonder about their reactions. "Tilghman Island?" they ask. "Where is Tilghman Island?" But that’s not the kind of thing I can tell my dad about and it’s not the kind of thing I want to tell Stella about.

Tilghman isn’t your typical island. Here, the dirt and the grass grow right up to the water. And there’s one road that’s the main road, and it will take you from the waterway to the end of the island and back. Only, towards the end, for maybe a quarter-mile at most, the road turns from asphalt to gravel to sand. And, instead of grass and reeds and houses, there are flat rocks along the edge to tame the water and shape the land. This is where we come to fish. Stella chooses a cluster of rocks she thinks will be comfortable for sitting. We drop our things and Stella opens a plastic container of crickets. "They smell like swamp," she says and holds them up to my nose. "Gross," I say and push her arm away. I bait both hooks and then, for luck, we spit on our crickets. "Why do we spit?" she asks. "Dad says the fish like it." She laughs and says, "Just like boys."

Piss. Suck. Cock. Stella has abandoned her fishing rod and is sitting on the rocks behind me. Her t-shirt is stretched over one shoulder. She is saying the words loud and fast, not waiting to see if I have any new ones to add. There are boys down toward the point. From this distance, with the sun closer to the water than to the sky, they look like oily silhouettes, pushing and jumping and shouting each other’s name. Occasionally, the oil seems to spill or the two boys touch and for an instant there seems only to be one of them. Stella pulls out two sandwiches and tells me to sit down. Sometimes she really surprises me. I know she’s tough and I know she’s in to boys, but sometimes it’s days like this, when we’ve walked two miles to the end of the island and have spent the afternoon getting tans and fishing with no success, that I like her most. You wouldn’t think it, because she tries to hide it, but she can be gentle.

"Do you think you’ll get married?" She asks me this regularly because I’m always changing my mind.

"My dad says I’ll get married, but it’s hard to think about having kids."

"Oh, I want kids. I definitely want kids. Yeah, and a husband."

"Are you sure you’ll manage with just one husband?"

She laughs and says, "You know, you’re prettier than you think." She touches my face. I think she might kiss me. I want to tell her it’s all right. She points down the rocks and says, "Do you think he’s cute? I can talk to him for you."

"No," I say, "not yet."

"You don’t want to be the only girl in eighth grade who hasn’t been kissed."

"I don’t mind." I blur my eyes and look west at the bay. There are sailboats in the distance. Closer to shore there are tugs and freighters. "That’s Annapolis," I say and point across the open water. "What if we made it as far as Annapolis?"

Sometimes, just looking at the water makes me feel jammed up. I can feel it in my guts, these rocks, this place. Like the way my dad rubs his stomach when the tug boats go by. "Look at that," he’ll say. "Just look. Can you feel it moving?" And a tug will pass with its tow of different-colored storage containers. "See the way they stack them? Sometimes ten high."

The rocks are hot from the sun and the air is gray and yellow. Summer, as we know it, is nearly over. We’re lazy and damp from our day of fishing. Stella says, "I have an idea, but we have to go back to my house." We pack up our rods and trash, and Stella takes one last look in the direction of the boys before climbing off the rocks and heading home.

Under her bed, she says, "Close your eyes," and I do. "Don’t laugh or I’m not going to help you," she says. I keep quiet. She inches her body closer to mine. I stay still. Her breath is warm. She smells like chewing gum and cigarette butts. She puts her lips to mine and moves her mouth around. My face burns. I squeeze my legs together and dig my nails into my palms. I can feel her pulse. After a minute, she moves away from me and laughs. "Yeah, so now Sara Barrett can’t say you haven’t ever kissed anybody. Just don’t tell her who it was." It’s muggy under the bed and dark, but I can see Stella’s face. "Don’t look so sad," she says and rolls onto her back to push her knees into the mattress, "when it’s a boy, you’ll actually feel it all over. You’re whole body will feel it. It’ll give you urges. I promise." "Yeah," I say and push into the mattress with her. "I hope so."

I have this idea that one day Stella and I will come back to this island after years apart from each other and our families. We will eat mussels at the tourist restaurant by the water. We will count the boats and the number of times the drawbridge raises in an hour, and maybe, knees touching under the table, we will even count the cars.


Hannah Pittard’s fiction appears or is forthcoming in McSweeney’s Quarterly Concern, The Oxford American, BOMB, and StoryQuarterly. She is a recent graduate of the University of Virginia's MFA program in creative writing and the recipient of the 2006 Amanda Davis Highwire Fiction Award. She is currently at work on a book about a man named Thad. 

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