Lisa Lee

Margaret Cho’s Mother

(a nov­el excerpt)

Margaret Cho’s moth­er had been eaves­drop­ping on me.

“I saw you,” she said. “I saw you throw that shov­el and I heard you say the F word. You shouldn’t swear.”

We were in the kitchen. I was stand­ing at the sink, wash­ing dish­es. Margaret Cho’s moth­er had snuck up behind me, pulling on my sleeve. Her hair was big. The tips end­ed just below her ears and poofed out in big curls that didn’t move.

“You were spy­ing on me?”

“I’m always telling Margaret not to swear too.”

“But you were spy­ing. No one was sup­posed to hear me.”

“I heard you.”

“Well you weren’t sup­posed to!” I raised my voice then, only to bring it back down a moment lat­er. “Mrs. Cho,” I said as I turned off the faucet and removed my mother’s fuch­sia rub­ber gloves, “Why don’t we go to the liv­ing room?” I had turned to face her and I placed my hands on her shoul­ders, pat­ting them gen­tly. As I smoothed down her shoul­der pads, I real­ized how awk­ward it felt to touch her like that, as if I was pat­ting a pup­py, but she didn’t let on that any­thing was out of the ordi­nary. I gen­tly nudged her elbow. “Let’s go,” I said. “Into the liv­ing room we go.”

Margaret Cho’s moth­er didn’t budge. “This is how it start­ed with Margaret,” she said. “First it was all the cussing, then it was the com­e­dy, then drugs. She nev­er went to school like you, you know, she didn’t go to college.”

“Well she didn’t need to,” I said. “She had her own T.V. show.” I searched her face, but I couldn’t find what I was look­ing for. “Do you think I just start­ed say­ing bad words? I’m in my thir­ties, Mrs. Cho! I’m almost forty.”

“I want you to be a good girl.”

“I’m not a girl.”

“Then what are you? You’re not a boy. Are you a tomboy? Don’t be a tomboy.”

I gave her a lit­tle shove to get her mov­ing. It didn’t star­tle her a bit. We walked toward the liv­ing room, our bare feet sink­ing into the peach car­pet, and sat down on the peach-flow­ered couch. Margaret Cho’s mother’s feet swung like pen­du­lums, sev­er­al inch­es above the ground. There was nobody in the liv­ing room. Where was everyone?

“Where is every­one?” I said.

“They’re in Kevin’s room. Having a séance.”

“How do they know how to do a séance?”

“Your moth­er asked the gypsy.”

“You mean the psychic.”

“Yes, the psychic.”

“Let’s not join them,” I said. “Let’s stay here.”

“Yes. I agree. I don’t think a séance will bring your broth­er back.”

“He’s not dead,” I said. “He’s just missing.”

“I know,” said Margaret Cho’s mother.

“How do you know?”

“I just know. How do you know?”

“Because I’m his sis­ter.” I pulled at the loose threads fray­ing at the knee of my jeans. “Does my moth­er think he’s dead? Is that why she’s hav­ing a séance?”

“No I don’t think your moth­er thinks he’s dead. She thinks the séance will help Kevin find his way back home.”

“From where?”

“Wherever he is.”

There was a pot of bar­ley tea on the cof­fee table, arranged on a tray with teacups and saucers. It was still fresh and warm from post-lunch, so I poured a cup for Margaret Cho’s moth­er and anoth­er for myself.

“How’s Margaret?” I asked.

“She has a new show, did you know?”

“Yeah, I heard.”

“It’s going to be her come-back!”

“That’s great,” I said. “Is it about sex?”

Margaret Cho’s mother’s face turned red. “I don’t know. It’s about…” her voice trailed off.

“It’s called All About Sex,” I said.

“I don’t know what it’s called,” said Margaret Cho’s mother.

“I just saw her on T.V.,” I said. “She was wear­ing a mil­i­tary uni­form and play­ing a North Korean. She pre­sent­ed some­one an act­ing award.”

“I record­ed it on my VCR!” exclaimed Margaret Cho’s moth­er. When she smiled, her eye­glass­es lift­ed a lit­tle with her full cheeks. We took sips of bar­ley tea from our teacups.

“I don’t like it when she makes fun of me,” she said quietly.

“I wouldn’t think you would.”

“And Margaret uses bad words too much.”

“She does use a lot of bad words.”

“I just want her to be the best.”

“At what?”

“The best that she can be. At being Margaret.”

I won­dered if she didn’t want Margaret to have con­fi­dence, like my moth­er used to say about me. You seemed too con­fi­dent. If you think I was mean to you, that’s why. I just want­ed you to be the best. But I didn’t want to bring my moth­er into it. She might think I was mak­ing her look bad.

“Do you want to go with me to the store?” I said.

“Why? Do you need something?”

“We’re out of apples,” I said. The fruit plat­ter on the table had plen­ty of slices of oranges, kiwis, and peach­es, but there were no more apples. “We need more fujis,” I said.

“Okay,” Margaret Cho’s moth­er said. “Let’s go.” She pushed her­self off the couch, jump­ing onto the ground with both feet plant­ed in uni­son, as if she was land­ing a flip off a pom­mel horse.

“Stick it!” I said.

“What?”

“Nothing. You seem very ath­let­ic. Did you do gym­nas­tics as a child?”

“I was a pro­fes­sion­al bas­ket­ball play­er in Korea.”

“What? You were?”

“Well not pro­fes­sion­al pro­fes­sion­al. Almost pro­fes­sion­al! I was famous in Seoul, you know. A lot of women, they weren’t allowed to play bas­ket­ball, but at my col­lege, we had an all girls’ bas­ket­ball team. We played against oth­er female col­leges, and I was the star! I was famous!”

“Interesting,” I said. “I had no idea.”

* * *

As we walked out­side to my car, I tried to imag­ine Margaret Cho’s moth­er wear­ing a jer­sey and mesh poly­ester shorts, drib­bling a bas­ket­ball, and shoot­ing it across the court with a flick of her wrist, hop­ping into the air, watch­ing it arc and swish through the hoop, no rim. Margaret Cho’s moth­er was bare­ly five feet tall. If she had been a bas­ket­ball star, she must have had skills. Maybe all the play­ers were the same size.

My car was blocked in the dri­ve­way by two oth­er cars parked hap­haz­ard­ly behind it. “Let’s take mine!” Margaret Cho’s moth­er said. She took her keys out of her purse and pressed a but­ton that made her car beep three times while the head­lights flashed. It was a sil­ver Porsche con­vert­ible. Margaret had bought it for her in the nineties, the year Margaret’s sit­com All-American Girl was on the air. We opened the doors and slid into the slip­pery black seats. Margaret Cho’s moth­er revved the engine. She maneu­vered the car out of the spot expert­ly, and drove the stick so smooth­ly, I could bare­ly tell we were mov­ing. She took tight, effi­cient turns around cor­ners, sit­ting close to the steer­ing wheel with the seat ele­vat­ed so that she had a clear view through the wind­shield. Whoever says Asian women can’t dri­ve has nev­er been tak­en for a dri­ve by Margaret’s mother.

“I wish I could be a race car dri­ver!” she said. “I like to watch NASCAR. Do you ever watch it?” I looked at her, then at the road, and back at her propped up against the steer­ing wheel. She was dri­ving the speed lim­it, com­ing to a full stop at stop signs, using her blink­er. Margaret Cho’s moth­er was incred­i­bly competent.

“I don’t like how the race car dri­vers are all men, and did you notice they all look the same? It’s like they’re broth­ers, from the same Mormon fam­i­ly. And there’s always some beau­ti­ful blonde babe hand­ing the win­ner a trophy.”

“Ha ha! Jane. You’re so seri­ous. Just watch those lit­tle cars dri­ve around that track. So fast! And then they crash. Boom! Pow! Waaaaaaaahhhh—psssshhhh! It’s so fun.” She nev­er took her hands off the wheel.

We drove with the top down. The wind whipped through our hair and flat­tened out my words as I shout­ed direc­tions into town. We bought a bag of apples, a cou­ple baguettes, and stinky cheese. On our way home, the sun was set­ting, cast­ing a sien­na glow over every­thing. We drove through tree-lined back-roads and pulled over beside a vine­yard so that we could watch the sun dis­ap­pear behind the moun­tains. I munched on an apple and gazed at the land­scape. Margaret Cho’s moth­er was dig­ging some­thing out of her purse. It was a joint. She lit it, sucked on it, held her breath, and exhaled, let­ting out a stream of smoke. She passed it to me.

“Want some?” she said.

“Ummmm,” I said, look­ing quizzi­cal­ly at her.

“Oh come one. It’s legal. Margaret gets it for me in Humboldt. She says to me, Mom, this is so strong it’s ridicu­lous.” Margaret Cho’s moth­er took anoth­er hit. “Once they made it legal, I thought, Why not? I feel so much more relaxed now.”

I stared at Margaret Cho’s moth­er hold­ing the joint in my face, her thumb and index fin­ger pinch­ing the butt-end. Why not? I thought. I took a hit and we passed it back and forth a few times. “I’m glad it makes you hap­py,” I said.

Margaret Cho’s moth­er sucked it down to the roach before open­ing the driver’s side door. She leaned over and put out the fad­ing ember in the dirt next to the car. She popped her head back in, closed the door, and low­ered her seat so that she was almost com­plete­ly reclined. I put mine back too. There was no roof because the top was down. We looked up at the sky, which was just begin­ning to dark­en, and the air was warm and dry. I gig­gled to myself about the sight of us, two Korean ladies—one in her six­ties, the oth­er in her thirties—lying down in reclined seats in a con­vert­ible sports car, at the foot of a vine­yard. I could be her daugh­ter, she my moth­er, the two of us enjoy­ing the scenery.

“I remem­ber Kevin’s first birth­day dol par­ty. You wouldn’t remem­ber because you weren’t born yet,” Margaret Cho’s moth­er said.

“Oh yeah, I saw pic­tures of mine,” I said, remem­ber­ing my fat round face, near­ly a per­fect cir­cle, my col­or­ful han­bok out­fit and peaked black hat. My one-year old self sat in a tiny chair, at a low rec­tan­gu­lar Korean table, com­plete­ly cov­ered with pyra­mids of per­sim­mons, peach­es, apples, oranges, bananas, sev­er­al dif­fer­ent kinds of dumpling-sized red bean paste-filled rice cakes, speck­led with black sesame seeds, dust­ed with crushed red and green and yel­low beans, pocked with dried black beans, food-col­ored in pas­tel green and pink. There was mon­ey too, stacks of bills fanned out on the table.

“What did Kevin grab first?” I asked Margaret Cho’s moth­er, remem­ber­ing my moth­er telling me that I had picked a peach and greed­i­ly chomped into it, which was sup­posed to fore­tell that I would be fat and poor.

“He took the mon­ey. He nev­er had a big appetite, like you. That’s why you were always the strong one. You nev­er got sick. He was too picky.”

“He took the mon­ey? So he was sup­posed to be rich,” I said. “Interesting,” I said, know­ing that Kevin felt bad that he nev­er made as much mon­ey as our father.

“We hoped that he would be like Michael Chang.”

“He tried,” I said.

“Maybe he should have picked the peach, like you, to be strong.”

“How did you know that? Did you come to mine?” I assumed that she hadn’t. It wouldn’t have been expect­ed, since I was a girl.

“I did! Margaret was there too. Do you remem­ber? She tried to eat the ddeok before the ceremony.”

“No. I was one.”

“When Kevin was lit­tle, he saved a jar full of pen­nies and he gave it to you. Do you remember?”

“Kind of,” I said. “I remem­ber he was mad about it.” We gazed at the sky. One lone cloud moved slow­ly above us, lengthening.

“In Korea, peo­ple look up to police offi­cers,” Margaret Cho’s moth­er said.

“They do?”

“I don’t know if they still do. But they did, a long time ago.”

“Oh,” I said. “After he became a cop, he was sur­prised to learn that nobody respects cops. He said he didn’t know. Somebody told him and he was real­ly mad about it. He asked me if I knew and when I told him I did, he was more mad and want­ed to know how I knew.”

Margaret Cho’s moth­er seemed to be nod­ding off. I closed me eyes. A moment lat­er, I felt some­thing touch my left arm. I looked down and saw Margaret Cho’s moth­er tug­ging on my sleeve. She light­ly tapped the back of her hand on my fore­arm, her palm up and open. I put my left hand in it and she closed hers around mine. We held hands like that, across the cen­ter con­sole, flut­ter­ing our eyes at the sky.

* * *

When we got back to the house, the séance was over and my moth­er, Mrs. Chang, Mrs. Park, Mrs. Lee, Mrs. Oh, and Mrs. Eom were loung­ing on the couch in the liv­ing room drink­ing tea. The tod­dler was crawl­ing under­neath a chair and the tween was sit­ting on the floor with her legs crossed. Margaret Cho’s moth­er and I waved hel­lo before going into the kitchen to put away the gro­ceries. My moth­er fol­lowed us.

“Where did you go?” she demand­ed, look­ing at me, then Margaret Cho’s moth­er, her eyes shift­ing back and forth.

“Kevin Kim’s moth­er! We just went to get more apples. See?” She held up the apples that she had just pulled out of the gro­cery bag.

“You were gone a long time,” my moth­er said. “What were you doing?” She was look­ing at me now.

“We went for a dri­ve. I showed Margaret Cho’s moth­er some scenery. I thought you like it when I do that,” I said.

“What did you talk about?” my moth­er asked.

Margaret Cho’s moth­er and I locked eyes. Her eyes looked glossy, but they weren’t red. She had squirt­ed Rohto into her eyes, her head cocked back, before com­ing into the house. I hadn’t, so I had no idea whether I was bleary-eyed. Margaret’s moth­er wait­ed for me to speak.

“We talked about Kevin,” I said. “Margaret Cho’s moth­er told me some sto­ries she remem­bered about Kevin from when he was lit­tle, and I told her sto­ries about when he was old­er. That’s all,” I said. “We just talked about Kevin. And we tried to think about where he might be.”

“Good,” my moth­er said. “It’s good to think about him. He needs to know that we’re think­ing about him.”

My moth­er sliced up the apples and took them into the liv­ing room. When she was gone, Margaret Cho’s moth­er raised her eye­brows at me. I let out a sigh of relief.

“I think she was jeal­ous,” Margaret Cho’s moth­er said.

“Of what?”

“That we were togeth­er, with­out her.”

“I thought she was being para­noid, like maybe we were talk­ing about her.”

“That too,” Margaret Cho’s moth­er said.

* * *

When it was dark, every­one final­ly left. Mrs. Chang, Mrs. Park, Mrs. Lee, Mrs. Oh, Mrs. Eom, and Margaret Cho’s moth­er had ful­filled their duty in sup­port­ing my moth­er. The house was qui­et. There was no tod­dler play­ing Rachmaninoff on the grand piano. There were no voic­es speak­ing at once, the con­ver­sa­tions over­lap­ping and weav­ing into each oth­er like thread on a loom. The house felt life­less, but smelled of incense, which had been burn­ing in Kevin’s room dur­ing the séance. The sweet, smoky euca­lyp­tus scent waft­ed through the house as my moth­er and I cleaned up. We stacked the dish­es and teacups in the sink and left them there to be tak­en care of lat­er. We wrapped up the left­overs that had not been sent home with our guests, care­ful­ly plac­ing them in the fridge.

“How was the séance?” I asked my moth­er. I sat at the kitchen table while my moth­er wiped the countertops.

She rinsed the sponge and squeezed out the soap and crumbs, then placed it in the lit­tle sponge hold­er next to the sink. She turned, and when she was fac­ing me she said, “What did you do?”

“About what?”

“Did you do something?

“About what?”

“Why did Kevin leave?”

“I don’t know. You think I made him leave?”

“You must have done something.”

“I haven’t talked to him in five years.”

She was qui­et then. “Maybe Sanghee did some­thing. It must have been Sanghee.”

“I don’t think that Sanghee did some­thing to make him leave.”

My moth­er opened a cup­board door. She moved some jars around and slammed the door shut. “Where did he go? Why did he leave?”

“I don’t know,” I said. “He’s nev­er been happy.”

“Of course he was hap­py. Why wouldn’t he be hap­py? There’s noth­ing wrong with him.”

“Yeah, I guess there isn’t.”

I wished for my moth­er that she could have the per­fect son. I wished that my broth­er could have had a dif­fer­ent moth­er. In our fam­i­ly, we impose our will on one anoth­er, gen­er­a­tion after gen­er­a­tion, with no one ever get­ting what they want, as if we live a lega­cy of melan­choly, a pub­lic his­tor­i­cal trau­ma made pri­vate and inti­mate. It pulls us apart, but we always come back, braid­ed togeth­er in our need.

“I’ll find him,” I said to my moth­er to ease her pain. “Don’t wor­ry. I can find him,” I said. I sound­ed con­fi­dent, but I had no idea where Kevin could be or how I could bring him back.

* * *

Before I left, I vis­it­ed Kevin’s room. My moth­er and her friends had moved a round table from a spare room into the mid­dle of Kevin’s bed­room. Six chairs were pushed in against the table and a white cloth cov­ered the top of it. The table and set of chairs were the only evi­dence of a séance hav­ing had tak­en place in his room.

I sat down in one of the chairs, fold­ed my hands, rest­ing them on the table, and closed my eyes. First, I tried to free my mind of all thoughts, then I tried to pic­ture Kevin’s image in my head, then I won­dered if I should chant. I repeat­ed soft­ly, under my breath, Kevin Kim, Kevin Kim, Kevin Kim, for about a minute before I decid­ed to quit. Nothing hap­pened. I opened my eyes. I scanned the book­case. Spiderman and Archie com­ic books, a Dr. Doolittle box set, the Dune series, a bunch of Guns & Ammo mag­a­zines, a com­plete set of bur­gundy leather-bound Encyclopedia Britannica, and three large books on Hawaii. I pulled the Hawaii books off the shelf and flipped through the pages. There were pic­tures of beach­es, sun­sets, palm trees, vol­ca­noes, pineap­ples, taro, coral reefs, under­wa­ter land­scapes with col­or­ful fish­es, ladies in grass skirts danc­ing at luaus, and whole pigs roast­ed in the ground.

Kevin had always loved Hawaii, ever since we went on vaca­tion to Maui as a fam­i­ly when Kevin and I were teenagers. I remem­bered how we had stepped off the plane onto the run­way, the only time I can recall doing that from a com­mer­cial air­plane. Almost imme­di­ate­ly, my hair frizzed up from the humid­i­ty. Three beau­ti­ful women in grass skirts came up to us and placed leis around our necks while say­ing Aloha.

Twice a year, Kevin and Sanghee took a vaca­tion to Hawaii, even though Sanghee always tried to con­vince him to trav­el to Asia, or Europe, or any oth­er destination.

“I love the atmos­phere. It’s laid-back, peo­ple are nice, there are a lot of Asians. I feel com­fort­able there,” he said.

“There are Asians in Asia,” I said.

“I like Hawaii,” he said. “It’s still America, but it doesn’t feel like America.”

I won­dered if he had run away to Hawaii. The pic­ture in my mind seemed so love­ly. Kevin snor­kel­ing, para­sail­ing, surf­ing, explor­ing vol­ca­noes, col­lect­ing obsid­i­an, drink­ing out of a coconut, eat­ing Spam, liv­ing on a pineap­ple farm with a pet pig named Roseanne. I want­ed to go there and find him.

A piece of paper flut­tered out of the book. It was a full-size sheet of white paper fold­ed into thirds, and had been wedged into the bind­ing. The book was open to a vibrant pic­ture of a coral reef, a scu­ba div­er shim­my­ing through the blue water, a school of yel­low fish pass­ing him in the shape of a dia­mond. I opened the piece of paper. There was a sym­bol drawn in the mid­dle of it, with a black ball­point pen. It was a tri­an­gle, with a cir­cle inside it, and a square inside the circle.

“What are you doing?” my moth­er said from the door­way. “What’s that?”

“Nothing,” I said. “Just some scratch paper.” Quickly, I fold­ed up the piece of paper along its orig­i­nal creas­es and closed the book. I got up and made a move­ment as if to throw the paper into the trashcan.

“Put every­thing back where you found it,” my moth­er said. “You know how he gets when peo­ple move his stuff.”

“Okay,” I said. I stuffed the piece of paper into my pock­et when my moth­er wasn’t look­ing, her head down as she inspect­ed what appeared to be a stain on the bed­spread. I gath­ered the Hawaii books togeth­er and put them back on the shelf, in the order in which I had found them. My moth­er left the room, tak­ing the bed­spread with her.

I didn’t know how old that piece of paper was, how long ago it had been placed in the book. I didn’t know if it meant any­thing. It had looked crisp, bright white, with no yel­low­ing along the edges. I stood there, next to the book­case, sur­vey­ing the room, look­ing for signs of when Kevin had last vis­it­ed. Weeks ago? Months? Years?

I looked out the win­dow. It was dark. I could see the shad­owy out­lines of trees, the branch­es near­ly touch­ing the win­dow­pane. There was a rustling sound. I nar­rowed my eyes as I tried to locate where the sound came from. I dart­ed across the room and flicked off the light switch. When I stood close to the win­dow, my face an inch from the glass, I tried not to breathe to keep the win­dow from fog­ging up, and as I gazed into the dark­ness, the trees and bush­es were more vis­i­ble than they had been a moment ear­li­er. I heard the rustling again, at the same time that I saw the bam­boo bush vig­or­ous­ly shak­ing, the stalks tall and leafy, hav­ing grown back long ago, after my grand­fa­ther died. I had nev­er under­stood why he had always hacked the bam­boo down to lit­tle pointy stubs. Now length­ened, lush, and green, the bam­boo hid well, though not com­plete­ly, a small, stout body, with famil­iar poofed hair atop an equal­ly famil­iar head. The fig­ure walked toward the win­dow where I stood, and a set of eyes peered straight into my eyes, owl-like, large-rimmed glass­es perched on her face. She broke into a smile.

It was Margaret Cho’s moth­er. She put her hand up and waved. I waved back. I walked over to the back door and let her in.

~

Lisa Lee’s work has appeared in Ploughshares, North American Review, Sycamore Review, Gulf Coast, and else­where. She has received fel­low­ships and awards from the Inprint Foundation, Kundiman, and the Center for Fiction. Lisa received an MFA from the University of Houston and a BA from UC Berkeley, and she is cur­rent­ly a doc­tor­al fel­low in USC’s PhD pro­gram in Literature & Creative Writing.