Peter Leight ~ Four Poems

Western

The hori­zon backs up
the landscape
is full of real estate.
The light is bright
then goes out
alto­geth­er.  Roundup—

it’s time to consolidate.
Trot and gallop
then sag.  Straighten out
in order to circulate.
Red hills pop up
in baby blue air.

The edge is near
like a clue
you nev­er pick up.
Cold in blue
air and hot
in red light.

The bad guys don’t know
they’re not going to make it.
Riding in the rear
of the rearview
gal­lop and trot
trot then wait.

It’s too late to get
away before they know
what to escape from. Not
that there’s anywhere
to go.  Not right now.
That’s why they’re here.

~

You’ve Been Delayed

between Point A
and Point B
they’re tru­ly sorry
too much pre­ci­sion to be
hon­est you lose flexibility
it’s a bad feel­ing when you’re not
in time worse when you don’t find out
in time nobody wants to wait
indef­i­nite­ly they’d pre­fer not
to men­tion it
noth­ing definite
there are so many
things we don’t need to say
Without Point B
what is Point A?
Point A is noth­ing with­out Point B

~

Essay on Guilt, in Which I’m Admitting Everything

I’m stand­ing against the wall
as if I’m the one who did it
or I’m the one who knows the one who did it
maybe we did it together
or I’m help­ing out
like an accessory
I have a the­o­ry there isn’t much evidence
to dig up as long as you’re innocent
it’s only the­o­ret­i­cal to be honest
I don’t think I’m admit­ting anything
that any­body else isn’t admitting
as far as the evi­dence is concerned
I believe I’m get­ting warm
or warmer
is it warm enough?
Leaning on the wall with my shoulder
touch­ing the wall like an accessory
or hand­bag for instance with a cross-body strap
pressed against the wall
as if I’m guilty as charged
I have a the­o­ry that a person’s innocence
needs to be disproved
it’s main­ly theoretical
I think I’m admit­ting everything
I can think of
or I’m the one who’s think­ing about every­thing I’m admitting
I have an open mind
not actu­al­ly open
but look­ing for an opening
I have a the­o­ry you don’t even know
the evi­dence is buried
until you start dig­ging it up

~

Essay on Uncertainty, in Which I’m Watching TV

When they call my name
I’m pulling out my dog tag and read­ing it out loud like a story
I don’t even know the words to
I’m not even sure if I’m a uni­ver­sal donor
Or a rare receiver
One type or the other
Is it eas­i­er to be uncertain
When you don’t know if you’re mistaken?
As long as I’m uncer­tain I lay my hands
On my lap to see if they stay
At the same time
I’m whis­per­ing like a beachball
Losing air
I don’t know if it helps
Is it eas­i­er to be uncertain
If it doesn’t help?
When they call my name
I don’t know what they want from me
When I don’t want any­thing from them
I often turn on the TV
To watch peo­ple on TV
Talk about what’s wrong with something
They don’t even care about
When they’re not on TV honestly
What’s wrong with them?
Are they look­ing for something
to be mis­tak­en about?
It’s eas­i­er to be a donor when its universal
I mean there are times
When you don’t even know
If you’re uncertain
Right now I’m let­ting my hands lie
In my lap to see if I’m going to pick them up

~

Peter Leight has pre­vi­ous­ly pub­lished poems in Paris Review, AGNI, FIELD, Beloit Poetry Review, Raritan, Matter, and oth­er magazines.