Jim Sullivan ~ Two Brief Fictions

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Patrick nev­er fit in, so he fit out. Wherever he was, he was and was not. Touching down for hol­i­day in Berlin, he start­ed to feel divid­ed, so he changed his Virtual Private Nationality to Korean.

Annyeonghaseyo, he greet­ed the Germans. Tuning out “Bauch Beine Po,” he strolled the streets singing to him­self: “Gee, gee, gee, gee, baby, baby, baby.” He insist­ed on kim­chi, not sauer­kraut. He smug­gled his own soju into Oktoberfest. He screamed his throat raw at the Rosé con­cert, delight­ed by her Aussie accent, the copy-past­ed American pop stylings, the plat­inum bleach blonde hair that belonged to nowhere, and a face that was Korean, though you could be per­suad­ed otherwise.

Patrick osten­si­bly occu­pied the body of an American. Familial records lost some­where in the Ellis Island shuf­fle, he was unstuck in iden­ti­ty. A plas­tic Paddy then—take the plas­tic, leave the Paddy. And where most Americans took the idea of the melt­ing pot metaphor­i­cal­ly, Patrick melted.

Patrick, we’re Irish American,” his moth­er plead­ed. “Could you just try the soda bread?”

Spasibo,” he said, col­lud­ing with the Kremlin.

We hid our German ances­try dur­ing the war, but this is too much.”

「全然わかんねぇんだよ。」he answered in a voice his fam­i­ly could not rec­og­nize as one of them. He clicked his tongue at their incomprehension.

Patrick fell in love with one nation after anoth­er, but when he’d car­ry that love else­where, peo­ple could only take his love for the oth­er side as an affront. The most cos­mopoli­tan pro­gres­sive would recoil, at least in their eyes, and after the hun­dredth nation­al iden­ti­ty adopt­ed and intro­duced state­side, Patrick rec­og­nized the com­mon snag in their regard: What, we’re not good enough for you?

While he dat­ed a few women of “lim­i­nal iden­ti­ties,” the pain of nei­ther being quite this or quite that enough, they even­tu­al­ly looked to him mono­chrome, and he to them a lunatic.

The last of them watched him over the din­ner table—scooping her long-labored tagli­atelle alla bolog­nese into a tor­tilla and top­ping it with cilantro and a squeeze of lime—and rose to leave.

¿Qué pasa? ¡Lo siento!”

You think the world is just at your com­mand, but you’re not even here. You’re nowhere.”

These words stuck with Patrick, and for weeks, he was twist­ed. He couldn’t sleep, body couldn’t pick a time zone. His thoughts were a Babel of con­fu­sion. He couldn’t even stom­ach any tapas or cheongfun.

So not to be nowhere, Patrick con­clud­ed the only way to be was every­where. He set him­self to uni­ver­sal ran­dom­ized loca­tion, van­ish­ing from his apart­ment in—well, the loca­tion didn’t matter.

Patrick ceased to exist as a plas­tic man, but you can still see his after­im­age in every major city in the world. A flash here and there, like a stranger in the crowd who, for just a flick­er, looks the spit­ting image of your dead brother—if he were born some­where else.

~

Sympathetic
after Italo Calvino

In the mid­dle of the cross­ing, hav­ing become just one among thou­sands of scram­bling bod­ies, I became aware of too much.

I stopped and pulsed. Felt every ven­ti­la­tion. A mid­dle school sci­ence lec­ture I’d ignored in favor of the curve of my neighbor’s low­er lip came rush­ing back with painful clar­i­ty: I could sense the pre­cise lev­el of car­bon diox­ide in my blood. What once had been total­ly unconscious—regulated by invol­un­tary ner­vous systems—now felt as sharp as gag­ging down a fly. My pul­monary ves­sels widened, then nar­rowed, as if I were reflex­ive­ly clench­ing my hand. My bronchial tubes tin­gled. I could detect indi­vid­ual red blood cells, con­sid­ered nam­ing them, and swooned at the web of cap­il­lar­ies in which they danced. Then they rock­et­ed back out, in direc­tions that seemed entire­ly ran­dom, for a pur­pose they’d nev­er know.

I found myself gasp­ing, sweat­ing in a clot of human­i­ty. “Wait!” I shout­ed at the peo­ple fly­ing on their way. “Where are you going? Do you even know why?” People gath­ered around me, gawk­ing at my melt­down. But I had to tell them, warn them about the nature of the paths they were on. This flash of insight, though, was too hard to put into words, and peo­ple only laughed. They turned their phone cam­eras my way, but even with 48 megapix­els, they couldn’t detect the truth: “Don’t you see we’re all just being pushed around at random?”

The moment the words left my mouth, the con­crete real­i­ty of what I’d just under­stood van­ished. I felt a lit­tle sil­ly for hav­ing been so worked up.

But some in the crowd agreed. They had their own expla­na­tions for the paths we’re pushed down: cor­po­ra­tions or gov­ern­ments or this shad­owy group lur­ing us along, or the oth­er one hold­ing us down. They all sound­ed equal­ly plau­si­ble and ludi­crous at the same time, yet none mapped just right onto that feel­ing. I col­lapsed to my knees, over­whelmed and defeated.

We aren’t going at ran­dom,” one woman said, lift­ing me up. “We all have des­ti­na­tions in mind. It’s just a mat­ter of mak­ing your own des­tiny.” The words rolled off her lip like a TED Talk.

I liked her idea. It didn’t fit the feel­ing at all, but it was a notion I preferred.

I’m sor­ry, every­one,” I said. “I must have been con­fused. Or sick. Everything just felt wrong for a second.”

Calm but not entire­ly set­tled, I made my way amid snick­ers as the onlook­ers uploaded my incom­plete rev­e­la­tion to the cloud.

 

Making one’s own des­tiny. I’ve tried to live by that.

But some­times, I still wake heart pound­ing, gasp­ing for air. I hang my head, hug my shoul­ders, and try to breathe my own way, to con­trol just one thing. Only moments before, I was toss­ing help­less­ly in an end­less tun­nel of blood, curv­ing toward the inter­sec­tion of the heart.

~

Jim Sullivan is the author of the forth­com­ing short sto­ry col­lec­tion, You Start Missing Everybody (Cornerstone Press 2028) and the lit­er­ary sci-fi nov­el­ette, Harboring (ELJ Editions). His work has also appeared in Cimarron Review, New Ohio Review, Third Coast, and Fourth Genre among oth­er pub­li­ca­tions. Originally from South Dakota, he has lived through­out the American Midwest and Japan and now resides in South Carolina. Connect on socials @jfsullivan4th.