Charles Rafferty ~ Three Poems

The Invention of Paper

If some­one hadn’t thought of it
we’d nev­er get the word out
about our miss­ing para­keet,
and the restau­rant menu
would always be writ­ten in chalk
by the wait­ress with the best
chi­rog­ra­phy. Still, paper
can burn or be for­got­ten.
The medi­um changes to suit
the age. I used to spend mon­ey
on vinyl. Now I pur­chase
elec­trons. It seems like noth­ing
can last. Once upon a time,
we believed in the plan­et-hood
of Pluto and the Pope’s infal­li­bil­i­ty.
Such things can be debat­ed,
but our wed­ding tape
remains unwatch­able
if we don’t have a VCR.

~

When Warhol was alive

you could still smoke a cig­a­rette
inside. No one com­plained
that they were dying. It was part
of the evening meal. Nowadays
you get dirty looks for light­ing up
at the park, and the nature of fame
has changed. It hap­pens on a phone
and depends on decent Wi-Fi.
Each year, it gets eas­i­er to believe
in lies, and the price of cig­a­rettes
is more lam­en­ta­ble. Nobody
rush­es home for the next
episode of any­thing, and the art
we say we need the most
is an ali­bi for scrolling.

~

Diacritics

In America, we are most­ly free
of them — the tilde,

the umlaut, the cir­cum­flex
and macron, the double

invert­ed breve. My tongue
doesn’t know how to say

these sounds, and see­ing them
on the page feels like

I’ve mis­tak­en­ly pressed 2
for Spanish, or some oth­er language

I am afraid to learn. We have
26 per­fect­ly good letters

to make our American nois­es.
That’s what the dullest of us

say. After all, there is no need
for nuance when ordering

McDonald’s or yelling at the TV.
The sounds we make are blunt —

like a fist hit­ting a cop’s face
in a door­way of the Capitol.

~

Charles Rafferty has pub­lished poems in The New Yorker, Ploughshares, and The Southern Review. His most recent col­lec­tion is The Appendectomy Grin (BOA Editions).