Charles Rafferty ~ Three Poems

The Invention of Paper

If some­one hadn’t thought of it
we’d nev­er get the word out
about our miss­ing parakeet,
and the restau­rant menu
would always be writ­ten in chalk
by the wait­ress with the best
chi­rog­ra­phy. Still, paper
can burn or be forgotten.
The medi­um changes to suit
the age. I used to spend money
on vinyl. Now I purchase
elec­trons. It seems like nothing
can last. Once upon a time,
we believed in the planet-hood
of Pluto and the Pope’s infallibility.
Such things can be debated,
but our wed­ding tape
remains unwatchable
if we don’t have a VCR.

~

When Warhol was alive

you could still smoke a cigarette
inside. No one complained
that they were dying. It was part
of the evening meal. Nowadays
you get dirty looks for light­ing up
at the park, and the nature of fame
has changed. It hap­pens on a phone
and depends on decent Wi-Fi.
Each year, it gets eas­i­er to believe
in lies, and the price of cigarettes
is more lam­en­ta­ble. Nobody
rush­es home for the next
episode of any­thing, and the art
we say we need the most
is an ali­bi for scrolling.

~

Diacritics

In America, we are most­ly free
of them — the tilde,

the umlaut, the circumflex
and macron, the double

invert­ed breve. My tongue
doesn’t know how to say

these sounds, and see­ing them
on the page feels like

I’ve mis­tak­en­ly pressed 2
for Spanish, or some oth­er language

I am afraid to learn. We have
26 per­fect­ly good letters

to make our American noises.
That’s what the dullest of us

say. After all, there is no need
for nuance when ordering

McDonald’s or yelling at the TV.
The sounds we make are blunt —

like a fist hit­ting a cop’s face
in a door­way of the Capitol.

~

Charles Rafferty has pub­lished poems in The New Yorker, Ploughshares, and The Southern Review. His most recent col­lec­tion is The Appendectomy Grin (BOA Editions).