Paul Hostovsky ~ Three Poems

Redemption

It kills me to throw them out,
I say to my mother
who’s been dead for 35 years.
I’ve been dead for 35 years, she says,
you think I care what you do with them?
You always said I don’t take care of my things, I say,
and now that your things are my things,
I want to redeem myself.
There is no redemp­tion, she says.
My wife thinks I’m a hoard­er, I say.
She thinks I’m crazy to keep them just because
they belonged to my mother.
I nev­er liked your wife, says my mother.
You nev­er met her, I say. I mar­ried her after you died.
Then give them to your kids, says my mother.
My kids don’t want them, I say, and even if they did,
they don’t have room for them, either.
Then sell them, she says. They’re worth a lot of money.
I tried, I say, but nobody wants to buy them.
Then throw them out, says my mother.
It kills me to throw them out, I say to my mother.
You already said that, she says.
I know, it’s the first line. It’s a good line, I say.
Is this sup­posed to be a poem? she says.
It could be a poem, but it isn’t cooked yet, I say.
It doesn’t sound like a poem, she says. Does it even rhyme?
I don’t write poems that rhyme any­more, Mom,
and any­way, I’ll prob­a­bly end up throw­ing it out.
No, don’t throw it out, she says. Let’s add
a half rhyme at the end—what if
we do that, and then we give it to your wife?

~

Discus

It’s one of the oldest
sports in the world. It’s mentioned
in Homer’s Iliad. I was in 8th grade
when I almost killed a guy with one
by acci­dent. You could
check them out, like a library book,
and bring them home on weekends
to prac­tice throw­ing. I was practicing
down at the school­yard, where he was
shoot­ing hoops all alone over on the bas­ket­ball court.
The windup starts with your back to where
you’re going to throw it, so you’re not
real­ly look­ing. So I wasn’t real­ly looking
when I spun around and around (I had
excel­lent form) and heaved it
as hard as I could, hook­ing it
in the direc­tion of the bas­ket­ball court.
He crum­pled to the ground, a red trickle
from one ear. I ran all the way home
and told my moth­er, between sobs,
“I think I killed him.” After the death
of Patroclus, it’s fea­tured in the funer­al games
held by Achilles out­side Troy. We drove him
to the emer­gency room, where they gave him
a neck brace and an aspirin. Five years later,
I worked it into my paper on the Iliad
in col­lege, hop­ing to earn extra points.
But Professor Rodewald said it was just
a super­flu­ous poignan­cy, dou­ble underlining
super­flu­ous with his red pen.

~

My Paper on Paradise Lost

I need to find some weed so I can write
my paper on Paradise Lost. It’s due this Friday.
It took me months to read the poem. It’s long,
longer than any poem I’ve ever read.
At first I tried to read it stoned, but hell,
I couldn’t fol­low. So I read it straight,
like ten or twen­ty pages at a time,
then smoked a bowl and thought about what it said.
I think Satan would have approved of that.
Satan was hero­ic. I don’t think God
cre­at­ed the world. In fact I doubt He even
knows we’re here. I think we’re all asleep
in Heaven dream­ing the world. I want to write
about that in my paper on Paradise Lost,
but I need to put a buzz on first. Beelzebub
was Satan’s right-hand angel. Beelzebub
is fun to say: Beelzebub! He’s num­ber two
in Hell’s hier­ar­chy. Sartre said that Hell
is oth­er peo­ple. My moth­er said that weed
is of the Devil. She freaked when she found a joint
in my coat pock­et. She sent me to a psychiatrist
who slurped his soup in front of me. He’d slurp
then ask me how I felt, in between slurps.
I love get­ting high more than anything,
more than my moth­er, more than God. I quit
high school after that and land­ed on my feet
in a col­lege where they make us read the long poems.
Professor Rodewald says my papers are
bel­letris­tic. I had to look up bel­letris­tic.
I think it means my writ­ing is too beautiful.
One could do worse than be a bel­letris­tic writer.
I like to write stoned because then I feel
like Adam nam­ing all the ani­mals. He named
every­thing. But he couldn’t name God. That’s
what I want to focus on in my paper
on Paradise Lost. I’m think­ing of writ­ing it
in blank verse to impress Mr. Rodewald.
But I need to smoke a bone first. For inspiration.
My moth­er thinks that weed is the for­bid­den fruit.
She may be right. I’d like to work that in
to my paper on Paradise Lost. Milton was
total­ly blind when he wrote it. He dic­tat­ed it—
the whole thing, all twelve books—to scribes
who wrote it down for him. Holy shit!
I won­der how he kept it straight in his head.
I think about that when I’m stoned. Praise God.

~

Paul Hostovsky’s poems and essays appear wide­ly online and in print. He has won a Pushcart Prize, two Best of the Net Awards, the FutureCycle Poetry Book Prize, and has been fea­tured on Poetry Daily, Verse Daily, Only Poems, and The Writer’s Almanac. He makes his liv­ing in Boston as a sign lan­guage inter­preter and braille instruc­tor. Website: https://paulhostovsky.com/