No one forced me into silence
No one forced me into silence.
I practiced for it on my own, always
confusing being tired for being done.
In America, what matters most
is that the flowers are cheap enough,
flown in from Columbia every morning,
that we can afford to lavish them in mounds
at the doors of our schools.
Playback
When I knew cancer would burn her down, I rushed in
and out of mom’s memory, snatching whatever
I could carry. “Where do you keep your grandparents?”
I shouted, racing past with an armful of recipes
from my childhood. “Where do you keep your favorite birthday?
your biggest regret? oh shit, where’s the good advice?”
One day, I set up cameras on the porch and brought out
a chair and a list of the wrong questions. Through the morphine’s
reeded glass, she watched me try to save her life in pieces,
little piles of words on the grass with labels for each of my siblings
and kids. And even the words were a lot for her to carry.
For my part, I knew I was choosing the light over sound.
But knowing the set–and not just the plot–would go with her, I posed her
so the fields and the afternoon light I wanted to remember
were over her left shoulder–and in playback, her white hair is brilliant
in the sun. But all we hear is the cancer-fire and the roaring prairie wind
scattering her memories over the lawn. Something, something, paper dolls.
Something, something, was my only dream.
~
Letters from the dog
I couldn’t wait to take Maya to camp
each summer so I could rush home
to write her letters. We had nothing to report
–sleeping in and mowing and eating
what we wanted when we wanted
made for pretty boring news
–it was the chance to be the dog,
the cat, the chickens, that excited me.
One year, one of our hens disappeared
in an otherwise slow news week. I told
the whole tale Rashomon style, each creature
blaming the others and The Committee of Concerned Chickens
complaining I was not following up on leads.
Another year, Biffy McHunk, up-and-coming
teen-idol, moved in next door and wrote to brag
about his impressive collection of rare
hair-products and to let her know he was willing
to be her unrequited crush.
I don’t know if I amused her. I amused me.
I’m glad she was immersed in camp,
putting on plays, painting, learning silly songs;
glad she never replied to the chickens; glad
she already knew absurdity is my love-language
and the letters really said, “All’s well, all’s well,
all’s well, and I’m thinking of you.”
She’s in the city now and still I don’t always know
how to say I miss you but I love your life.
Don’t want to break the No news is…rule.
Can’t admit again my body’s in the shop again
but it’s fixable again. Doesn’t matter, anyway.
I gave my last stamp to a flying squirrel
who’s really a time-traveling Nazi-hunter
on layover in the attic.
~
Scott Coykendall lives and writes in New Hampshire where he is Professor Emeritus of Communication at Plymouth State University. He taught journalism, podcasting, and other communication and writing courses. He holds an MFA in Creative Writing (Poetry) from Bowling Green State University. His work has most recently appeared in Black Fox Poetry Magazine, Centripetal, The Cossack Review, Groundwork, Midwest Quarterly, and the New Hampshire Poetry Showcase.