Nora Wagner ~ A Sky Full of Clouds

Tonight, while we sleep, new cones are devel­op­ing in the eyes of ten mil­lion, nev­er before seen. If you have ever watched a time lapse of a water­mel­on grow­ing, it’s like that. Nothing for weeks, until mirac­u­lous­ly, some­thing. Something big. The dense pres­sure in their reti­nas, a repressed urge to cry.

Tomorrow, when we wake up, ten mil­lion can see a new col­or. The num­ber, embla­zoned in yel­low across CNN broad­casts, will seem so large, until divid­ed by the total glob­al pop­u­la­tion: 0.000123%. Black urine dis­ease is less com­mon, com­plete het­e­rochro­mia is more. Not by much.

Everyone will know a roommate’s cousin’s wed­ding plan­ner who has it. We will beg for a description.

“Like the after­im­age that burns across a white screen when you stare at neon green for a long time. Like the hide of a chimera. Like the col­or­ful sprays you see through closed eye­lids. Kind of.”

“Kind of?” We will lean clos­er, we will press our eyes shut.

They will deflate, sheathed in sun­glass­es. “You don’t get it. You can’t.”

Two weeks lat­er, the first sui­cide. California Highway Patrol will locate her body, float­ing in the Golden Gate Strait, and thir­ty min­utes lat­er, her loose eyes, one mile west, trail­ing optic nerves like algae floss. Her hus­band will pub­lish a mov­ing obit­u­ary that recounts her split­ting headaches and fear of falling asleep.

Pantone will name the col­or after her. After the thir­ti­eth sui­cide, rename it “Invisible Ink.”

A trendy artist will receive a $100,000 grant to ren­der a land­scape using only the new col­or. It will be a pas­toral scene. Those of us who can’t see it will pre­tend it’s a snow­bank, or a sky full of clouds.

It will be referred to as a dis­or­der, an ill­ness, a con­spir­a­cy. The con­se­quence of GMO car­rots. A mag­ic spell. A source of jealousy.

The police will bust into the home of two sis­ters. One will be fill­ing out the cross­word, sprin­kling sug­ar on grape­fruit wedges. One will be buried in the back­yard. Her eyes in an egg car­ton. Salted and shriv­eled. It will be a land­mark crim­i­nal case, which launch­es new pro­tec­tions for peo­ple able to see “Invisible Ink.” We will watch the court­room dra­ma unfold on tele­vi­sion sets, sit­ting too close to the screen.

Severe depres­sion will pin you to your bed for two months. Your broth­er will feed you pack­ets of Indomie, pale brown hot dogs sliced into sil­ver dol­lars. Tip tea down your throat. When you ask what’s hap­pen­ing in the world, he will say: “Nothing new. Apartheid, drought. Don’t check the news.” But one day, you will make it to the bath­room, the Spanish tiles cool beneath your feet. You will look into the mir­ror and see that your eyes are bright, a flash­ing color.

~

Nora Esme Wagner is a ris­ing sopho­more at Wellesley College. She lives in
San Francisco, California. Her work has been pub­lished or is forth­com­ing in
JMWW, Milk Candy Review, Moon City Review, 100 Word Story, and elsewhere.
Her work has been longlist­ed for Wigleaf’s Top 50. She is an assistant
fic­tion edi­tor at Pithead Chapel.