Poem Following a Line from Philip Larkin
On the day of the explosion, cows
kept chewing and we went to work,
coughing out dismay in prosaic bursts
and scrolling news, weighing the chance
of an early winter. On the morning
of the disaster, I held a woman
in my arms. All clothes and plans
had been discarded. No wailing
pierced the walls of her house.
The light angling through blinds
could not have been more innocent.
On the night of the bombings, I stood
alone at a party watching dancers
until I couldn’t anymore and walked
outside with a plastic cup of wine.
The air was crisp and mountains
framed the dark and everything still
felt sour because I’d brought
myself along. Outside a prison,
Akhmatova missed her son Lev
and maybe one of her lovers
and noted the Leningrad snow
and a silence falling on the day.
~
Congregations
Though his back is turned, I recognize
Stephen, bouncing a foot as he reads
on a bench under reddening trees.
But this is not about my friend’s
forthcoming book or his hyperactive quads
and his voracious mind. I’m taken
by a congregation of hardwoods, a small
devout off-shoot of a once vast
forest. I’ve left my stale lecture
to stand on Liberal Arts’ lowest steps
and let my eyes go branch to branch
across all the western counties
to a dense wood with its cool
fern breath, its muddy trails
winding toward a stream. I have
a minute to imagine some deer
stepping through riverine light to ease
down the bank. Difficult not to think
of shy students coaxing words
from their throats, but this is not
about undergrads. It’s the stubborn trees
outlasting plows, dozers, chainsaws,
fish-tailing cars, and pissing dogs.
Soon, a tower clock will chime
class into session and my friend
will bear his endless curiosity
into a meeting and the changless ones
will exhale what we crave.
~
Fuse
The octopus furnace had undergone
a conversion but coal dust
still coated everything Five
on the steps I saw sparks
cascade from the fuse box
around my shadowed father
He held a screwdriver with something
less than conviction as he poked
at the lethal web’s snarl of wires
His short passage on earth might
have been shorter He’d returned
already from the Pacific War
and hobbled on as though
he was OK like all of them
It tangled him snared us
But on that night lights
came back on and whatever
lightning crackled the air
was spent in a hiss
on the dank uneven floor
~
Notes to a Self
You aren’t dust motes
drowsing through your kitchen
in late afternoon sun.
You’re weightier and less
graceful. At a party
you’re sure to say
the wrong thing at just
the wrong time. Be glad
if you don’t choke
on the strange canapés.
More free than pollen
and dust, you can bolt
out into the lilac-diesel air
and drive away and even use
your smart phone to write
to Congress or quit your job
if you want. You forget
you’re cells and bone
and hair, appetite and urge.
You think you choose
where your eyes flit,
where you click. Quaint.
You think you are where
you’re heading, instead of what
you’ve left behind, toenail clips,
fingerprints, trash, texts.
No drifting mote,
you are capable of regret.
You might have been
a better father/husband/
coach/plumber if only
you knew more when
your joints contained cartilage.
Your dog seems to sleep through
regret better than you.
Smart dog. Smart,
smelly, hairy, restful dog.
She stretches and shakes and sends
flecks into the reddening light.
~
Worried Song
Bungalows, weeds, sun flecked
maples, a passing truck–the shape
of a street prints itself on each
soft thought finding breath.
Think of an hour almost beyond
time’s reach, as if time were a beast
chasing us down a corridor instead
of a spring unwinding in our cells.
Maybe we get beyond for a night
spent in thrall of a pair of eyes
or an Irish song that keeps
unfolding after a bar closes,
keeps thrumming until sleep
threads itself into my forehead.
No surprise–I found this new
longing when mortality crashed
his Dodge Dart into my house.
Hear it? A thrush pleads his case
in a hot dusk. I stare out,
longing for a phrase that might
lift a corner of the earth.
~
Michael Lauchlan has contributed to many publications, including New England Review, Virginia Quarterly Review, The North American Review, Louisville Review, Poet Lore, and Lake Effect. His most recent collection is Trumbull Ave., from WSU Press.