Billy O’Callaghan ~ A Kind of Music

Four years ago, fol­low­ing a a fair­ly bru­tal two-year bat­tle with can­cer, my moth­er died; a relief, in the end, though it still does­n’t feel so. Some deep-lying tumour in the breast missed by the usu­al mam­mo­grams and only caught after it had already metas­ta­sised to her bones, with the dam­age already thor­ough­ly done – like a fire­work going off, one of the doc­tors had put it at one point, scat­ter­ing sparks of itself to spots on the shoul­der, the hip and leg, and most ter­ri­bly, the low­er back, the spine. It was the back pain, in fact, that had forced her ini­tial­ly to her GP, after bear­ing it already prob­a­bly too long, typ­i­cal enough of the kind she was, the kind most of us are, I sup­pose, when it comes to doc­tors, not want­i­ng to give in to it, play­ing it down as maybe a touch of arthri­tis, or the wear and tear of life at (at that time) six­ty-sev­en. Afraid, too, I’m sure, now that I think back on it; a lit­tle afraid any­way, cling­ing to the notion that what you don’t know does­n’t have to wor­ry you. When I was young, can­cer seemed a word every­one avoid­ed using. So-and-so has the oth­er thing, you’d hear, said in the most bat­ed way, as if giv­ing any more voice to it than that was to risk draw­ing it to your own door. That, and God bless the mark – a lev­el of acknowl­edge­ment and plead­ing left to us when eas­i­er hope had fad­ed, a kind of last refuge.

Growing up dur­ing the late ’70s and ’80s, the eldest son of an ordi­nary fam­i­ly in an ordi­nary vil­lage, God was a part of life, as vague­ly present as the sound of the wind almost always in the trees. Those around me weren’t par­tic­u­lar­ly demon­stra­tive of their faith, and some of what­ev­er that faith was, look­ing back, prob­a­bly rote, a thing drummed into them and learned by heart or maybe just so generations’-engrained that it was as much habit as what­ev­er else, work or school, wash­ing, cook­ing, shop­ping, clean­ing, bus­ied their small, ordi­nary days. With mass a duty of a Sunday morn­ing, bless­ing them­selves when­ev­er they had to pass by the church, and giv­ing a minute or two over to still­ness when the Angelus rang out just ahead of the evening news, the small con­stan­cy of an Almighty was part of the shape of the week, and accept­ed with­out ques­tion, there being a place then for every­thing. I’m writ­ing of impres­sions now, that’s all. Memories, fad­ed or oth­er­wise, some of what I’ve held onto, and some, I sup­pose, of what in its way has shaped me, things I tend to pon­der when out walk­ing the fields with the dog of a breezy after­noon, the most con­nect­ed part of my day, my prayer time, you might call it, if you can be suf­fi­cient­ly loose with the term, watch­ing for how the light shifts and what colours the sea­sons bring, watch­ing Dixie, my sheep­dog, a bad­ly abused res­cue the very def­i­n­i­tion of love and these past few years now the purest soul I’ve known, bound­ing and rolling joy­ful­ly in the long grass and respond­ing at a charge to my whis­tled calls only to at the last instant, in relent­less fun and play, side­step me and dart away again, laugh­ing between barks. These walks are the clos­est I get to any sense, how­ev­er frag­ile and fleet­ing, of the numi­nous, unless a piece of music, caught at just the right moment, Mozart’s Laudate Dominum, maybe, or Shumann’s Traumerei, or heard at low vol­ume while lying awake in the dark in the small of the night, Chet Baker’s Almost Blue, hap­pens to bring me to that. I know, from all we’ve learned and been sick­ened by in recent years, all the hor­rors revealed, that plen­ty from back then and before, had God, the inflict­ed notion of God, as an over­whelm­ing suf­fer­ance, beat­en into them and worse by the mon­strous ele­ment among the broth­ers, priests and the nuns; but for many, I think, and cer­tain­ly in our house, faith, what­ev­er it might have been in ear­li­er times, was light­ly enough felt. And eas­i­er, maybe, because of that, to even­tu­al­ly set aside or let go of, when there felt like rea­son enough.

The air tastes of cop­per now, I remem­ber my moth­er say­ing at one point, refer­ring to the can­cer, the treat­ment, the whole fright of it, maybe, and I knew what she meant because it tast­ed that way for me, too, and for all of us. Anxious about every­thing, with that tinge of dread to every breath. There’s the ini­tial shock, the days spent in around the hos­pi­tal, the bat­ter­ing of tests, and then final­ly, the news, tem­pered with easy talk about what could be done, and what else if that did­n’t prove enough, because this was­n’t the old abat­toir days, med­i­cine was com­ing on in leaps and bounds and there were options now that there’d nev­er used to be, the doc­tor’s voice airy and reas­sur­ing even as her gaze scru­ti­nised, hold­ing on always just that sec­ond too long, giv­ing oth­er truths away. Life stands still, becom­ing ill­ness and lit­tle else, and yet the clock con­tin­ues to run.

At the end, the final few days after two years of dif­fer­ent treat­ments that worked for a while and then had­n’t, radi­a­tion that wore her to a nub and the relent­less bat­tles waged to man­age cal­ci­um surges and pro­teins in the blood, a priest was called. There’d been a very brief hos­pice stay, only short­ly before, which upset her far more than it helped, and so we’d fought to have her at home, with a spe­cial bed hired and set up in the front room and all of us around, all the time, tight­en­ing the cir­cle to just us, fam­i­ly, friends, rel­a­tives, tak­ing turns sit­ting with her, rem­i­nisc­ing, talk­ing about things that had hard­ly until then been spo­ken of. In the hos­pice, when the doc­tor with the great­est reluc­tance had released her into our care, he told us that she’d pos­si­bly not make it the fif­teen minute jour­ney home, and that even if she did we were look­ing at prob­a­bly no more than the day that was in it, or, at the most, two. But at home, where she want­ed to be, and where she belonged, with her fam­i­ly around her and her ghosts close, she stayed sev­en­teen days with us, all but the last two or three, lucid. A nurse came dai­ly to man­age her pain, and if there were things dur­ing that time that I’d have wished nev­er to have had to see then I also would­n’t give up a moment of it, for what it con­tin­ues to mean to me. However, on the morn­ing of the day the priest was called, some­thing changed. A new kind of pain entered the frame. The dis­trict nurse had come to dress a wound that is upset­ting even now to think about, and I’d held my moth­er, in a by-now rou­tine embrace so that she might be turned, I the only one she’d been say­ing that she trust­ed not to let her fall, big as I was, her fine strong son; and in the shift­ing or upheaval, some­thing inter­nal seemed dis­turbed. After that, her colour changed, turned deeply bruised, and an expres­sion, even in her uncon­scious state, of pure suf­fer­ing over­came her. In the pre­vi­ous few days, for the first time in the longest time, since boy­hood, prob­a­bly, I’d start­ed chanc­ing prayer again, in an embar­rassed, half-heart­ed, guilt-rid­den way, the last refuge of the scoundrel, as the say­ing goes, but still I sup­pose des­per­ate­ly hop­ing against what I knew in my heart was inevitable. But see­ing my moth­er in this new state, so mired, I prayed, if that’s what I was even doing, for an end to come, quick and mer­ci­ful. And it was an hour or so lat­er that a cousin of mine, who had always been as close as a daugh­ter to my moth­er and who’d returned from Aberdeen to be there with her for the time that remained, took it upon her­self to phone for the priest.

We were stand­ing around when he arrived, a short­ish thick­set man just a lit­tle old­er than me, and he shook hands with those who offered. A priest I’d seen before, though only once, from the next parish over, who’d actu­al­ly presided over the wed­ding of my cousin, some twen­ty years ear­li­er, a mar­riage that had­n’t in the end tak­en. The priests of the dio­cese were that week on retreat in Killarney, some annu­al jaunt, and he, one of the priests attached to the African Missions, was on emer­gency duty, cov­er­ing when and where need­ed. And he’d been the one to answer my cous­in’s her call. I think about these min­utes often, if I’m hon­est about it in shame for how hard I’d let my heart become, and how unwel­com­ing I was, and how angry, keep­ing myself back while oth­ers, my father, my cousin, my sis­ter, con­versed in mur­murs, look­ing at how his hands held fold­ed to one anoth­er, fat, white, gen­tle, and how he kept his eyes low­ered, in sym­pa­thy and under­stand­ing. What faith I might have had I’d most­ly moved away from, find­ing rea­sons aplen­ty to jus­ti­fy that, and think­ing I sup­pose that with all I want­ed from the world, I was fine to live with­out the pos­si­bil­i­ty of God, the sense of some­thing high­er and greater at play. A lot of us speak in most­ly flip­pant ways of strug­gling with our demons, and the kind of thoughts that pos­sess us, but I’m not at all sure that, on that damp, sad, grey October late morn­ing or ear­ly after­noon, I was­n’t being giv­en a glimpse of mine. While he read­ied him­self with his vest­ments, I stood with the rest of my fam­i­ly at the bed­side, and then he start­ed to pray. And some­thing changed. We all felt it, the eight or ten of us who were there, and were shak­en by it. You might say that we’d been primed, wea­ried and prob­a­bly vul­ner­a­ble as we had to have been from weeks of ordeal, and with so much of the Church still set deep in our foun­da­tions, as much as we’d attempt­ed to shrug free of it, and I sup­pose all of that is true, but all I know and would swear to is how the entire atmos­phere of the room shift­ed, that in among those words of extreme unc­tion the twist of pain slack­ened in my moth­er’s face and her colour returned, and uncon­scious as she was, a teardrop burst from the cor­ner of her eye. From mine, too, some­thing that, for all that had gone on, I had­n’t until then been able to man­age. In the space of the priest’s words, and the bless­ing he laid down, what tor­ment there’d been turned tran­quil, for all of us. And since then, I’m not sure I’ve been quite the same.

It was­n’t the next ear­ly morn­ing but the one after, the 13th, into Wednesday, com­ing on for 2 a.m., with us all still there, that my moth­er died, and it was­n’t so much a turn­ing out of the light as the slow­est pos­si­ble reced­ing, like the set­ting of a sum­mer­time sun or a tide going out in dead­est calm. That part was peace­ful. All the evening, from first dark and on through the fol­low­ing hours, there’d been glimpses, things sensed. A lit­tle after mid­night a scent­ed can­dle in its can explod­ed, like a gun going off. Other things, too, strange­ness­es that I may go into anoth­er time, or I might not. At a few min­utes to two, the silence was over­come with bird­song. I know how it sounds, but it does­n’t mat­ter what any­one else thinks. It last­ed maybe half a minute, and at first no one said any­thing, we each prob­a­bly assum­ing some kind of audi­to­ry hal­lu­ci­na­tion brought on by grief and exhaus­tion, and then my father, in the barest voice, heart­bro­ken, asked if any of the rest of us were hear­ing any­thing, or whether it was just him. “Birds,” the Irish Cancer nurse said, a woman doing these shifts vol­un­tar­i­ly, in retire­ment, after years of work­ing in hos­pi­tals and care homes. She’d heard it before, on a few occa­sions. Birds singing, though there were no win­dows open and the chim­ney had long since been cowled. And we lis­tened, to the sound of it, as if behind the air, faint but clear, a small chaos of chirp­ing. A kind of music. She’d seen and heard oth­er things, too, over the years, she told me, when an hour lat­er I’d gone to the door with her, to thank her for every­thing and to say goodbye.

~

Billy O’Callaghan is the author of four short sto­ry col­lec­tions and four nov­els, includ­ing My Coney Island Baby (Harper, 2019), The Boatman and Other Stories (Harper, 2020), and Life Sentences (Godine, 2022). His work has been trans­lat­ed into nine­teen lan­guages and his recent short sto­ries have appeared — or are forth­com­ing — in such jour­nals as Agni, Fiction, the Kenyon Review, the Massachusetts Review, New Letters, Ploughshares, South Carolina Review, and the Threepenny Review. His lat­est nov­el, The Paper Man, was pub­lished by Godine in 2023.