Ora Alcorn ~ Poem Without Anesthesia

I’m sor­ry if this poem hurts
and here is a piece of ster­ile gauze

to bite down on
if it caus­es pain.

You say, by email, that Miriam’s son
came through his surgery fine

though there were a few hours after that
his pain meds did not kick in.

He’s in a hos­pi­tal, in Israel.
It’s ear­ly November, 2023.

He’s had repair for Crohn’s.
I sym­pa­thize. I say, that’s hard.

And I mean this. And yet I also know
that 75 miles away from him

the hos­pi­tals in Gaza
have run out of morphine

and they’re amputating
children’s arms and legs with only

ster­ile gauze for them to bite down on.
Is one pain worse? Or are they equal?

You say you can­not think of this.
You’re all numbed up. It’s exhausting.

And it’s war. What can I tell us both
about imag­i­na­tion, or empathy,

when the dis­tance between you
and them is 75 miles

and the dis­tance between you
and me is sev­er­al thousand?

When I’m just sit­ting here, trapped,
by ancient laws of geometry

and death? I can say this: triangulation
brings some clar­i­ty. Maybe the distance

just makes the tip
of the tri­an­gle sharper.

It becomes a needle.
Oh, I’m feel­ing it. You’re on the duller end,

but, Nomi, I know you’re feeling
oth­er sharp tips too,

tri­an­gu­lat­ed out from long
ago, and far away. Farther than October 7,

far­ther than your sons in Gaza.
Echoes of pogroms,

Auschwitz. Yes, I know and see those
too. “I get your points.”

I know you feel them.
How is it we can see pain

bet­ter even, some­times, when it
comes from far away?

Is this referred pain? Or deferred?
Something of our own pain

sup­pressed, per­haps, kept in? Is this
all their pain, or is it mine?

I’ll tell you this: when I saw those
pro­test­ers, in the US Congress,

with their arms raised,
with their bloody hands

I thought of my daughter
and the text she sent to me

this sum­mer. It was a picture
of her bloody hands.

She wrote: “I like the sight
of my own blood.”

She knew that this would hurt me.
She was right. I could feel that cut.

She was will­ing to sac­ri­fice herself
to make me hurt. So vul­ner­a­ble. She is her own

small human shield to her own hurt.
She was so near (75 miles), and yet so far away,

I couldn’t reach her. Authorities, laws,
and social insti­tu­tions failed us.

There were walls, so many, that shut her in.
That shut me out. This was a breach. I could see then

how we’d lived so separately
for years, and side by side,

and I’d not known, or seen, her pain.
She is her own Gaza. And

I’d lived next door, in a cool­er country
with bet­ter options.

There were those walls
between us. You know,

they call what she has “bor­der­line.”
And here’s the truth too, Nomi:

I brought her pain.
I caused that, some of it.

I tell you, Nomi, this was not my intent
and some­thing else: I had big dreams for her.

For us. But I’m bad at boundaries.
Too many times I crossed her lines.

I occu­pied her right­ful space.
So is this why I think I understand

Gaza? The deaths of chil­dren? Pain?
Is this why I care? Nomi, you may have

imag­i­na­tion, insight, truth
to share with me.

I’m lis­ten­ing.
I’ll also try to “get your points.”

As for my par­al­lel, I know
you may not like, accept it.

For here’s anoth­er geo­met­ric truth:
par­al­lel lines will nev­er intersect.

They cir­cle the globe, the universe
end­less­ly, run­ning side by side.

Though I still believe that some­times lines
can cross, that inter­sec­tions can

bring under­stand­ing, light.
But I can­not shake the world

from off its axis, or time
from off its path

to bend these lines. Yet I
still I send mine out to you

with hope that somehow
we will meet, and find

that light. I’m reach­ing out
with all I have

to reach and touch
and try to give:

my bloody hands.

~

Ora Alcorn is the third wife of Peter Alcorn, lost in the Atlantic in 1953. She has pub­lished wide­ly in lit­er­ary mag­a­zines in print and online.