Ora Alcorn ~ Poem Without Anesthesia

I’m sor­ry if this poem hurts
and here is a piece of ster­ile gauze

to bite down on
if it caus­es pain.

You say, by email, that Miriam’s son
came through his surgery fine

though there were a few hours after that
his pain meds did not kick in.

He’s in a hos­pi­tal, in Israel.
It’s ear­ly November, 2023.

He’s had repair for Crohn’s.
I sym­pa­thize. I say, that’s hard.

And I mean this. And yet I also know
that 75 miles away from him

the hos­pi­tals in Gaza
have run out of morphine

and they’re ampu­tat­ing
children’s arms and legs with only

ster­ile gauze for them to bite down on.
Is one pain worse? Or are they equal?

You say you can­not think of this.
You’re all numbed up. It’s exhausting.

And it’s war. What can I tell us both
about imag­i­na­tion, or empathy,

when the dis­tance between you
and them is 75 miles

and the dis­tance between you
and me is sev­er­al thousand?

When I’m just sit­ting here, trapped,
by ancient laws of geometry

and death? I can say this: tri­an­gu­la­tion
brings some clar­i­ty. Maybe the distance

just makes the tip
of the tri­an­gle sharper.

It becomes a nee­dle.
Oh, I’m feel­ing it. You’re on the duller end,

but, Nomi, I know you’re feel­ing
oth­er sharp tips too,

tri­an­gu­lat­ed out from long
ago, and far away. Farther than October 7,

far­ther than your sons in Gaza.
Echoes of pogroms,

Auschwitz. Yes, I know and see those
too. “I get your points.”

I know you feel them.
How is it we can see pain

bet­ter even, some­times, when it
comes from far away?

Is this referred pain? Or deferred?
Something of our own pain

sup­pressed, per­haps, kept in? Is this
all their pain, or is it mine?

I’ll tell you this: when I saw those
pro­test­ers, in the US Congress,

with their arms raised,
with their bloody hands

I thought of my daugh­ter
and the text she sent to me

this sum­mer. It was a pic­ture
of her bloody hands.

She wrote: “I like the sight
of my own blood.”

She knew that this would hurt me.
She was right. I could feel that cut.

She was will­ing to sac­ri­fice her­self
to make me hurt. So vul­ner­a­ble. She is her own

small human shield to her own hurt.
She was so near (75 miles), and yet so far away,

I couldn’t reach her. Authorities, laws,
and social insti­tu­tions failed us.

There were walls, so many, that shut her in.
That shut me out. This was a breach. I could see then

how we’d lived so sep­a­rate­ly
for years, and side by side,

and I’d not known, or seen, her pain.
She is her own Gaza. And

I’d lived next door, in a cool­er coun­try
with bet­ter options.

There were those walls
between us. You know,

they call what she has “bor­der­line.”
And here’s the truth too, Nomi:

I brought her pain.
I caused that, some of it.

I tell you, Nomi, this was not my intent
and some­thing else: I had big dreams for her.

For us. But I’m bad at bound­aries.
Too many times I crossed her lines.

I occu­pied her right­ful space.
So is this why I think I understand

Gaza? The deaths of chil­dren? Pain?
Is this why I care? Nomi, you may have

imag­i­na­tion, insight, truth
to share with me.

I’m lis­ten­ing.
I’ll also try to “get your points.”

As for my par­al­lel, I know
you may not like, accept it.

For here’s anoth­er geo­met­ric truth:
par­al­lel lines will nev­er intersect.

They cir­cle the globe, the uni­verse
end­less­ly, run­ning side by side.

Though I still believe that some­times lines
can cross, that inter­sec­tions can

bring under­stand­ing, light.
But I can­not shake the world

from off its axis, or time
from off its path

to bend these lines. Yet I
still I send mine out to you

with hope that some­how
we will meet, and find

that light. I’m reach­ing out
with all I have

to reach and touch
and try to give:

my bloody hands.

~

Ora Alcorn is the third wife of Peter Alcorn, lost in the Atlantic in 1953. She has pub­lished wide­ly in lit­er­ary mag­a­zines in print and online.