James Tadd Adcox ~ Three Stories About Loss

Unable to Sleep

For sev­er­al nights now he had believed him­self unable to sleep. Each morn­ing he would rise remem­ber­ing hav­ing spent the pre­vi­ous eight hours star­ing at the ceil­ing. It was unbear­able. And yet when he men­tioned this to his wife, she affirmed on the con­trary that she her­self had been awake for long por­tions of the night, wor­ry­ing about their daugh­ter who was away now doing social work in Indonesia, while he, her hus­band, had slept like a log. She had even left the bed on one occa­sion, an event he had no mem­o­ry of, to make her­self a cup of chamomile tea. And so appar­ent­ly he had slept, even, in her words, “like a log,” and yet the next night he found him­self again expe­ri­enc­ing the awful dura­tion of star­ing up at the ceil­ing while his wife slept beside him. Perhaps then he was asleep, and this was a dream. What would hap­pen in that case if with­in this dream he chose to get out of bed, wan­der down the hall? Would he dis­cov­er the dupli­cate of every­thing exact­ly in its place—the kitchen where the kitchen should be, the sofa and the love seat at the prop­er angles to each oth­er, the pic­ture of his daugh­ter, who some­how did not exist in the dream, still atop the book­shelf? He remem­bered, from some oth­er­wise for­got­ten col­lege class, the sto­ry of the man who asked the gods for immor­tal­i­ty, and was grant­ed it in the fol­low­ing man­ner: each night his dream became longer, so that he expe­ri­enced first years, then decades while asleep, and soon the few hours he spent each day awake in his aging body felt like lit­tle more than blinks between cen­turies. Until at last in the brief uncon­scious­ness before his death his final dream stretched out before him, as the gods had promised, for­ev­er. Was this, the pro­fes­sor had asked the class, a gift or a curse?

A Loss

While clean­ing out her mother’s house in Brevard, North Carolina, not long after the hur­ri­cane had come and improb­a­bly washed most of the town away, she dis­cov­ered, among her mother’s things, pho­tographs of what appeared to be her­self and anoth­er child, younger than her, who she did not remem­ber but who resem­bled her so close­ly that it was impos­si­ble not to think they must have been relat­ed. She did not have any sib­lings; her moth­er, who had run away from home just before grad­u­at­ing high school, hadn’t had any con­tact with her fam­i­ly for years. Now, with her moth­er gone, she couldn’t think of who she might pos­si­bly ask about these pho­tographs, about this oth­er child. There was noth­ing writ­ten on the backs of these pho­tographs, not even a date. She sat on the floor, amidst the box­es of paper and binders her moth­er had kept stacked in the liv­ing room, the dust glim­mer­ing in the late fall light, and tried to imag­ine her­self into the moment these pho­tographs were tak­en. She felt almost as though she could remem­ber the dress she was wear­ing, the book she was hold­ing, the expression—as though seen from out­side of her­self, somehow—she was mak­ing, seri­ous, unwill­ing to pla­cate the cam­era or its hold­er with a smile. But of the boy beside her, who so resem­bled her it was impos­si­ble not to think he was her broth­er, she found noth­ing, not even a hole where a mem­o­ry might once have been. She brushed his face with the back of her fin­ger, feel­ing a sense of loss, not for him or her moth­er but for some part of her­self which she had not pre­vi­ous­ly known and now could not describe.

Extraction

She’d had a dream the night before, or per­haps just before awak­en­ing, in which she was attempt­ing to extract, with­out punc­tur­ing her­self, a long nee­dle from her throat, which she remem­bered this morn­ing with a clar­i­ty uncom­mon for her dreams. Her part­ner, with whom she had lived for the past sev­en years, had recent­ly died fol­low­ing a briefer than expect­ed ill­ness; pre­vi­ous­ly, they had been try­ing to get preg­nant. They had con­tin­ued to dis­cuss names even while he was in the hos­pi­tal, assum­ing, since he was so young, that his ill­ness would go into remis­sion and their lives would con­tin­ue, each of them wis­er, per­haps, for hav­ing faced death and over­come it. The names dur­ing this peri­od, nev­er­the­less, became more and more fan­tas­ti­cal, as if each under­stood on some lev­el they were nam­ing chil­dren who would nev­er be. Now as she makes her break­fast in this apart­ment which had seemed so small with both of them in it, she bestows these names on the items she plans to give away, the pic­ture frames, the sweaters, the house­plants owned so long she can no longer say whose house­plant orig­i­nal­ly was whose, the favored mugs she can no longer bear to look at: each to be placed care­ful­ly in a box and sent away.

~

James Tadd Adcox’s work has pre­vi­ous­ly appeared in 3:AM Magazine, Granta, and n+1, among oth­er places. He is the man­ag­ing edi­tor of the lit­er­ary mag­a­zine Always Crashing and author, most recent­ly, of Denmark: Variations, a col­lec­tion of six­ty sets of instruc­tions for vari­a­tions on the play Hamlet.