Kip Knott ~ Two Flash Fictions

Once, I Dreamed a Story That I Forgot to Write Down

It began some­where in the mid­dle. The char­ac­ters were a cou­ple, I think. There was con­fu­sion. And anger, I remem­ber. A death, maybe? Or a dif­fi­cult birth? Perhaps a still­birth? The kind of tragedy that would cause any cou­ple con­fu­sion. And anger. Like what hap­pened to my god­par­ents when they lost their only child the day he turned five. I was ten-years old at the time. I remem­ber hear­ing that he died dur­ing open heart surgery to repair the hole he was born with. I remem­ber my god­par­ents’ con­fu­sion at the funer­al. And anger lat­er at the wake. I remem­ber all the chil­dren were forced to stay in the fam­i­ly room where rows of food had been laid out on fold­ing tables while the adults stayed in the kitchen. I remem­ber how much I liked the ham­burg­er casse­role that their next-door neigh­bors, the Clancys, had brought. And I’ve nev­er for­got­ten the Clancy’s pet racoon, Bandit (of course), that they also brought to keep the chil­dren occu­pied. Mrs. Clancy had trained Bandit to play peak-a-boo. Every time he lift­ed his tiny bony paws away from his eyes and made “jazz hands” in the air, all the chil­dren squealed and gig­gled. I remem­ber hear­ing between the laugh­ter some of the adults cry­ing in the kitchen. Some of them whim­pered; some of them wailed; some of them coughed. All of them sound­ed like ani­mals of one kind or anoth­er. I remem­ber that when my god­moth­er threw her hi-ball glass at the wall, my moth­er and father grabbed my hands and led me to the car. On the ride home, the only sound oth­er than the car’s engine and my father’s long drags on his cig­a­rette was the sta­t­ic-song-sta­t­ic-song-sta­t­ic of the radio as my moth­er searched for some­thing to fill the silence. I remem­ber I want­ed to ask why my god­moth­er had thrown her glass at the wall. But I stopped myself before the words could pass my lips. I also remem­ber think­ing to myself that decid­ing not to ask meant some­thing. I wasn’t sure exact­ly what, but I was pret­ty sure it had some­thing to do with grow­ing up. I remem­ber think­ing that the next time my father told me to be the man of the house while he was away on one of his many busi­ness trips, I would take it more seri­ous­ly than I ever had before. I remem­ber both of my par­ents tucked me in that night. And I remem­ber the warmth of their lips when they kissed me on the fore­head before turn­ing out the light. I remem­ber that it was less than a year lat­er that my god­par­ents divorced. That was more than forty years ago. Neither my par­ents nor I ever saw either of them again.

~

Shadow Orphanage

The gos­samer shad­ows always find a home. Everybody wants to cast the faintest shad­ow on the world. That’s why sun­rise and sun­set shad­ows are the shad­ows most cho­sen by peo­ple. Those nar­row, shal­low shad­ows stretch away and away for­ev­er, like infi­nite gui­tar strings just wait­ing to be plucked into song. I nev­er get adopt­ed. Admittedly, I’m a deep­er, more opaque shad­ow than all the oth­er shad­ows around me. I wouldn’t go as far as say­ing I’m a dark shad­ow, but I’m not faint by any stretch of the imag­i­na­tion. Still, though, I nev­er get picked. I want to yell out to all those peo­ple who pass me by, “The depth of a shad­ow has no bear­ing at all on anyone’s emo­tion­al state! I’ve been told on more than one occa­sion that I have the soul of a poet!” But I keep qui­et. Nobody wants an opin­ion­at­ed shad­ow. I want to tell any­one who will lis­ten that I can be just as gre­gar­i­ous as the next shad­ow. I want to reas­sure every­one that I smile all the time. And yes, I real­ize that no one can see a smile on a shad­ow. But it’s there. Or not, if the per­son lis­ten­ing to me prefers a more sto­ic shad­ow. The truth is, I’ll be what­ev­er kind of shad­ow any­one needs me to be, albeit just a lit­tle deep­er than most. Afterall, I don’t have a choice, real­ly. On the off chance that any­one should ever claim me, I’m theirs to do with what they will for the rest of their life and mine.

~

Kip Knott is a writer, poet, pho­tog­ra­ph­er, and part-time art deal­er liv­ing in Ohio. His writ­ing has appeared in Beloit Fiction Journal, Bending Genres, Best Microfiction 2024, Flash Fiction Magazine, Ghost Parachute, HAD, New World Writing Quarterly, Vestal Review, Virginia Quarterly Review, and The Wigleaf Top 50. His most recent book of sto­ries, Family Haunts, is avail­able from Louisiana Literature Press. You can fol­low him on Bluesky at @kiptain.bsky.social and read more of his work at www.kipknott.com.