Soon
I didn’t say anything to Naomi about the old man at the restaurant. I was in town for a conference, telling myself the usual lies. That this solitary meal was not lonely or boring, but a valuable exercise in mindfulness.
The sounds I heard: laughter from the table of women beside me, chairs scraping against the polished concrete floor, bartenders talking about a keg that needed to be replaced. The server warned me it would be a long wait for my meal, they were quite busy, so I drank my beer and fought the impulse to make eye contact with him each time he emerged from the kitchen with plates of other people’s food. When I was almost done with my beer, the women beside me left and the old man’s group took their table. He wasn’t even that old, maybe in his sixties, but he held his menu in an old man way. Right up to his face.
His companions were younger and sat up very straight, regarded the wine list seriously. They spoke a garbled language – Dutch? – which made sense because the old man had a Dutch look. Small, round glasses and a simple, well-fitting sweater.
When they ordered, I knew they would get their food before me, so I was not surprised when it happened, but I was upset. I used a firm, disappointed tone with the server, who apologized and brought me another beer. On the house. After the meal, he gave me a card with his name written in neat block letters so I would mention him in my online review.
String lights hung around the banister that led down to the bathroom. I knew I was drunk from the way they twinkled. The old man stood at the bottom of the stairs, one foot on the last step. An ambitious Adam’s apple hung in the middle of his throat. It was easy to imagine him with a disciplined morning routine. Stretching, drinking strong coffee out of a tiny cup. As I passed him, he put a hand over my ribs. I was sure he would kiss me. The comfortable weight of those heavy, bony fingers. I didn’t do anything to stop him.
He didn’t kiss me. He smiled and went up the stairs. Back at my hotel, I sat on the bed and watched a baseball game with the volume very low. Naomi called and we talked about my day and her day and how long two nights felt, how excited we were to hold each other again. Soon, we said, in low, consoling voices. Soon.
~
How You Twist It
He’s telling me about the kinds of drugs that make you feel closer to plants. Drugs that plunge you deeper into the essential human question. He laughs. It’s not what it sounds like. He’s not trying to blow his mind. Not anymore. He just wants to tune in to himself. And drug is really such an outdated word. These are tools – plants! – that have been used by every society in recorded history to expand consciousness. They are not made in a lab. They come from the earth and are harvested by people who understand that everything we are looking for is already hardwired into us. We just need to twist the Rubik’s cube the right way.
I nod. Right. The Rubik’s cube.
Me, I’m all about the lab. The kind of drugs that make a treacherous journey north with so many people performing such ugly, unknowable alchemy along the way that the final product is essentially poison. They do not expand consciousness. They narrow consciousness to a barely visible granule. Where is it? Who has it? The comfort is not in the questions. It’s all about the answers, which sit in your wallet between a five-dollar bill and a Rite Aid coupon. The point? Shatter each night into non-memory, tomorrow morning’s clues. Crumpled ATM receipts and cuts caked in blood. Your body does not like being left unattended. It will tell you so. Occasionally, there will be small victories. Texts not sent. A dry mattress.
He is talking again. Something about soccer. I nod. Go into my pocket and run a finger along the side of my wallet until I reach the pregnant rise of leather. This is the best part. Before. When it’s all right there.
~
Who Are You Going to Call?
A man and a boy in matching khaki jumpsuits walked by my window. My first thought was Ghostbusters. They are a father and son doing Ghostbusters. Back when I lived in the city, if I saw the two of them on the street, I would have smiled and looked at Naomi and she would have shaken her head like, there’s all sorts. Now Naomi’s wherever she is and I’m up at my uncle’s old place. If you’re looking for the town, he used to say, go to East Bumfuck and then go farther. It has the fourth tallest active lighthouse in the state and a competition every summer to see who can eat the most fried haddock. There are not all sorts.
So I thought to myself, hey idiot, this guy is probably a plumber or an exterminator who is showing his son the ropes of the family business. This is what happens in small towns. Fathers show their sons the ropes. Naomi would have said the same thing. She could be very definitive.
A few weeks later I was coming out of the market – not even super, just a market – and I saw them again. They were in their jumpsuits and had backpacks with tubes connected to big toy guns that dangled from their belts, badges stitched onto their arms that showed a worried ghost with a fat red line across its chest. And I thought, oh my god! They are doing Ghostbusters! The man was walking fast, too fast for the boy, whose backpack kept falling down. He had to stop every few steps to adjust it, but the man wouldn’t wait. The boy started jogging to catch up, one hand steadying his bag, his gun rattling against his leg in that hollow plastic way.
~
Call Me
Ella is bent over in the closet looking for something. What I see: the bottom knobs of her spine where her sweater has lifted, a leg. She is singing. “Shower me with kisses baby, thingy with the thing.” She trails into rhythmic grunts for the rest of the verse, gives up, skips to the chorus. “Call me, anytime, call me, call me, any, anytime. Call me.” When she comes out, she asks what is wrong, why I won’t sing along. I tell her I’m sending myself an email, which is true but sounds like a lie so she widens her eyes and says, “okay.”
Later, at dinner, she and her mom discuss Debbie Harry’s face lift. Her mom thinks it’s a shame. Ella thinks we should give her a break, questions why we’re so comfortable criticizing older women. “I’m just saying,” her mom says. “Can’t I just say? As an older woman?” The sound of silverware on plates. I ask if they have seen Barry Manilow lately.
Her dad raises his eyebrows, wags his finger like I’ve made a very interesting point. “Barry Manilow,” he says. “Now there’s a face lift.”
In bed, Ella snores. Insane, cartoon snores. She faces away from me, but her feet find mine under the blanket. I pull up my email. A forty-four-message thread, subject line “notes.” The latest: Ella in closet singing blondie, forgets words.
Before that: Old man in grocery store to slightly less old man: “his name was Punto and he sold linoleum.”
Before that: Sunny day, windows open. Wind blows picture over. Neither of us pick it up.
If someone asked me what I was doing, what these all added up to, what would I say?
I plug my phone in and turn off the lamp. Ella’s feet are so warm.
~
All Tangled Up
The young couple next door is back at it. Same thing every Saturday morning. You can set your watch to it. Luckily, Dan is gone. He likes an early tee time.
Their first night in the apartment, we heard them. We were in the living room watching Hell’s Kitchen when she started with the moaning. Dan went red as I’ve ever seen him and turned the volume up. Some unlucky soul had undercooked a Beef Wellington and Gordon Ramsay was giving them an earful. Even with Gordon shouting, I could still hear their bed creak in that slow back and forth way.
Before the young couple moved in, a girl lived there alone. A nurse. We didn’t hear a peep out of her. The only thing we would hear was her closet opening and closing. The hinges on the door squeaked like you wouldn’t believe. Dan said he had half a mind to go over there with some WD-40 and take care of it himself.
I imagine the two of them do it other times, but we are in bed early most nights. I don’t mind hearing them on those Saturday mornings. I’m not some pervert with my ear to the wall, but when they do start up, I don’t get squeamish like you might think. I just go on doing whatever it is I’m doing. Watering the plants, making a bowl of oatmeal. We get such nice light that time of day and I like thinking about afterward, when they’re off doing something else, how their sheets look in that light. All tangled up.
~
Leo Vartorella is a writer from Brooklyn, NY who lives in the Scottish Highlands. His work has appeared or is forthcoming in HAD and Maudlin House.