Lynn Mundell ~ Beautiful Things

Treasures

You are eight when on a vis­it to your father’s aunt you see beau­ti­ful things. Great Aunt lives alone in a tiny red cab­in on the edge of a small town. Before her hus­band died, he built shelves through­out to dis­play her col­lec­tion of lit­tle chi­na fig­urines: A lady in a ball­go­wn hid­ing behind a fan. A shag­gy dog car­ry­ing a big bar­rel around his neck. Two boys push­ing a wheel­bar­row full of apples togeth­er. Everyone doing things no one does any­more. Your favorite is a slen­der girl with a braid like your own who is hold­ing a mir­ror. There’s a small piece of real glass so you can see the reflec­tion of the girl’s per­fect eye­brows, nose, and mouth. You look at the girl so much that your great aunt insists you keep her, while your sis­ter is giv­en a boy in a hot air bal­loon. Your par­ents are angry on the dri­ve home. They think you schemed to get the chi­na fig­ure, and per­haps you did. This leaves the day and the mem­o­ry and even the girl and her mir­ror dam­aged. But you keep the girl until one day you real­ize you have mis­placed her, per­haps many years pri­or, this girl who was only con­cerned with her­self. That day, how­ev­er, you wave good-bye to Great Aunt framed by her door—like a lit­tle keep­sake, too, although one hunched over her own waist, weight­ed down with the big hump on her back.

~

Valuables

Your uncle’s wife is beau­ti­ful. Her face is soft and unlined, like a pressed cot­ton hand­ker­chief. Her hair is brushed back in dark waves. Her laugh is small and pret­ty, like a porce­lain teacup when it touch­es its saucer. She wears pat­terned satin scarves, heels, pantsuits, gold pins she calls brooches on which the ani­mals’ eyes are sap­phires or dia­monds. She drinks milky cof­fee that she lets you sip while the oth­er women make Constant Comment tea. She has three hand­some sons. One day when you’re a teenag­er she sur­pris­es you by say­ing the rock star Peter Frampton lives in the con­do com­plex and likes to sun­bathe with her by the pool. Not long after, you stay for a few days with her and your uncle. They nev­er speak to one anoth­er; the house is silent, like dur­ing a play when the char­ac­ters are wait­ing for some­one unwel­come to enter. When you learn to dri­ve, your moth­er says Aunt nev­er did. When you go to col­lege, your moth­er the teacher says your aunt nev­er went, nor did she work. With time, you would think Aunt would lose her lus­ter, but you adore her even more when you learn how her fam­i­ly mar­ried her very young to an old man, who died. A fast mar­riage to his best friend, your uncle, fol­lowed. Much lat­er the sons waste away slow­ly, painful­ly. Despite all this, Aunt is gra­cious, unruf­fled. In your 40s and now a wife and moth­er, you vis­it Aunt in her mem­o­ry care facil­i­ty, where she thinks you’re her sis­ter accom­pa­ny­ing her on a cruise. The food is deli­cious. The wait­ers are sexy. The ser­vice is top draw­er. She is what your own sis­ter the nurse calls hap­py dement­ed. When Aunt dies, you feel the same regret you do when some­thing beau­ti­ful is bro­ken, and part of that is the pain that she and so much more are in your past. Your moth­er calls you a month lat­er. Aunt’s clos­et is crowd­ed with fur coats, like an entire for­est of ani­mals flee­ing a fire. Her bureau is crammed with lin­gerie, at least 100 pairs of stock­ings. Piles of dress­es, blous­es, what your aunt called slacks, hand­bags. Everything so taste­ful. Too small, too fan­cy for us. All wear­ing price tags, Mother tells you, while smoth­ered in their own per­fect wrappings.

~

Bounty

Your father’s baby sis­ter has all of the things your grand­moth­er col­lect­ed. But by now no one can remem­ber exact­ly what they are, except leg­end has it that they’re valu­able Chinese antiques. You have few mem­o­ries of this aunt from whom your father and moth­er are estranged. Once when you were a child, you and your sis­ter stayed with her while your par­ents went on a trip. During that time, she took the two of you to a store to replace your cloth­ing. You still remem­ber a beau­ti­ful mint green knit vest and a dark green pleat­ed skirt, even down to their labels, “White Stag.” But by now you wouldn’t be able to envi­sion your aunt if it weren’t for a few fad­ed pho­tos of a hand­some woman with eye­brows like boomerangs over hood­ed eyes. When she is a very old woman and some would say that you are old, too, she sends a note ask­ing if you’d like to have your grandmother’s things. And while she doesn’t say what they are, or when or how they might be deliv­ered, she does make a point of say­ing your cousins don’t want any of it. You reply, say­ing that you want it all. You nev­er hear back from your aunt, and the things that are so pre­cious are buried even deep­er sev­er­al U.S. states over, like pirate booty on an ocean floor that can only be locat­ed by sonar. But by then it doesn’t mat­ter because you have begun to gift things reg­u­lar­ly, and in doing so find that each recipient’s plea­sure is shared with you. First your late father’s belong­ings go to the next gen­er­a­tion: pock­et knives, wood­en duck decoys, and tele­phone insu­la­tors, one shaped like Mickey Mouse ears. Then your own rich­es spread to fam­i­ly and friends: cos­tume jew­el­ry, kitchen gad­gets, your mater­nal grandmother’s pothold­ers cro­cheted to look like chick­ens. You’ve lugged around an Alice in Wonderland White Rabbit chi­na cook­ie jar for 35 years, dust­ing it, pro­tect­ing it from chips, sure­ly for the intend­ed pur­pose of wit­ness­ing the sud­den plea­sure on your youngest son’s face—like a music box open­ing with song—when you release this trea­sure to him.

~

Lynn Mundell is edi­tor of Centaur and co-founder of 100 Word Story. Her writ­ing has been pub­lished in Tin House, Booth, SmokeLong Quarterly, Best Microfiction, a W.W. Norton Anthology, and else­where. Lynn’s chap­book Let Our Bodies Be Returned to Us was pub­lished by the University of South Carolina in 2022.