Gary Fincke ~ Two Flash Fictions

Messes

Jason’s moth­er opens the door to his room to tell him she has a new boyfriend. He is stay­ing overnight now and Jason should know. “Roy does­n’t want to scare you or any­thing if you run into each oth­er in the morning.”

All right.”

She stands in the door­way and looks at how Jason’s books are shelved alpha­bet­i­cal­ly in his book­case, how each of his school sub­jects has a fold­er filed by the peri­od in the day. She knows that the CDs he buys, two per month, are arranged in chrono­log­i­cal order. “He’ll be sur­prised if he ever comes in here,” she says. She picks up his alarm clock and puts it down. When she leaves, Jason moves the clock to where it belongs.

Each after­noon, Jason dusts his room, but does­n’t vac­u­um because his baby broth­er is asleep in his crib. While he waits for his broth­er to wake up, he wor­ries that it’s not as clean as it should be. He push­es the vac­u­um clean­er into his room and plugs it in. Having it ready makes the room look afraid. As if knows it won’t be messy much longer. His broth­er nev­er sleeps more than an hour. He’s glad for that because clean­ing always makes him less sad.

Late that night, he hears the door to his moth­er’s room open, and when he looks out, he sees a man come out of his moth­er’s bed­room wear­ing only a pair of white briefs. Roy, he thinks. The man goes into the bath­room and does­n’t close the door or turn on the light. Jason does­n’t hear the seat rap against the toi­let tank, so he’s cer­tain the man piss­es with­out lift­ing it. He lis­tens until he hears splat­ters against the seat, until he knows some­thing impor­tant about Roy.

Jason doesn’t see Roy, but he begins to notice Roy’s dirty clothes in the bath­room. A buck­skin jack­et hangs over a kitchen chair for two days, mean­ing Roy is gone for a while but sure to return. His moth­er sits in that chair when she eats din­ner with Jason. “Roy had him­self the trou­bles when he was in high school,” she says the sec­ond night that jack­et hangs there, “but he’s over them now.”

Jason has­n’t seen any beer bot­tles in the trash, so he thinks maybe that was Roy’s prob­lem. “Good,” he says.

His moth­er runs her hand down one arm of the jack­et and set­tles back against the chair. “I love this coat,” she says. When the baby cries, she says, “Busy time. See you later.”

Later, when his moth­er comes into his room while he sits at his desk, she tells Jason, “Roy says he’s nev­er heard of a boy who cleans his room with­out being told.” She’s car­ry­ing the baby, but she drops onto his bed and pulls the pil­low loose from under the tight­ly tucked spread, star­ing a dare at him. With her free hand, she switch­es the posi­tions of his clock and radio. “ ‘Crazy peo­ple clean up all the time like that boy of yours,’ Roy says. ‘He fix­ing to go to the nut house?’ ”

As soon as she stands, Jason goes to the bed and replaces the pil­low, tugs the spread tight and wrin­kle free. “I had to explain about you,” his moth­er says. “He’s think­ing of mov­ing in, and I did­n’t want you to scare him off.” Jason switch­es the clock and radio back to where they’d been. “He comes in a pack­age of his own prob­lems,” she says. “You’ll see right off what they are if he stays, so I need you to promise to be good.”

Ok,” Jason says, and then he walks down the hall and out­side where the first thing he does, when she does­n’t fol­low, is pull weeds from the flower bed, the one thing around their house that isn’t a mess. It only takes two min­utes because every­thing, even the weeds, is shut­ting down for the winter.

We’re going to have anoth­er lit­tle one in the house,” his moth­er says the next night. “Roy’s the dad­dy to the one we don’t know yet, so that makes him half a father to you.” She stands in the hall­way out­side his door as she talks, the fin­gers of one hand tap­ping against it. “He’s decid­ed to move in this week­end, tak­ing up with us full time, so you’ll be see­ing him front and cen­ter from now on.”

Jason waits until the tap­ping stops to say, “Ok.”

His face had an acci­dent in high school,” she says. “You keep your thoughts about it to your­self, you hear?” Jason knows Roy is ten years younger than his moth­er, who is thir­ty-three. Whatever acci­dent Roy’s face has had is at least five years old.

The next day, an hour before Roy is sup­posed to show up with a suit­case, his moth­er tells Jason the acci­dent his face had was caused by the shot­gun he’d stuck in his mouth dur­ing his senior year in high school. “He tried to kill him­self and shot off part of his face instead,” she says. “But if you look at him from his good side, he’s a hand­some man.”

Jason nods, pic­tur­ing the man in the white briefs piss­ing on the toi­let seat, whether, from the bath­room door­way, he’d look hand­some or not. “He’s been through a lot,” his moth­er keeps on. “He’s old­er than his years. You can trust a man like that.”

Jason under­stands that Roy must have twist­ed away at the last sec­ond, mak­ing a mess by blow­ing a hole through his cheek. Minutes lat­er, when he looks at his own face in the mir­ror, turn­ing it from side to side, Jason touch­es him­self again and again to make sure he’s all there.

~

Places

Old man Krause was one of those neigh­bors Andy and the Banks twins hat­ed. Because he yelled when they cut through his yard. Because he com­plained when balls from street games rolled across his lawn. Because, yes­ter­day, he had pounced on a rolling ball and refused to return it, say­ing, “My place, my ball.”

An hour lat­er, Andy’s Uncle Herb came home from the hos­pi­tal, a place worse than hell accord­ing to Aunt Willa, who explained that he now had an arti­fi­cial voice box. “A lar­ynx,” she said, point­ing to a place in her throat. “It has a prop­er name.” Andy thought Uncle Herb talked like an alien from anoth­er plan­et. His words sound­ed worse than silence.

The next after­noon, Ted Banks explained how a burn­ing bag full of dog shit would draw old man Krause to his front porch to stamp out the fire while they watched hap­pi­ly from the near­est shad­ows. It seemed like such a great idea that Andy helped Ted and Thad Banks scoop a week’s worth of their gold­en retriever’s turds into four paper sacks and fol­lowed them to Krause’s house. He and Thad hid behind a neighbor’s shrub­bery in the ear­ly April dark­ness while Ted lit one bag, rang the bell, and ran.

Andy and Thad stayed hid­den, but after Krause flung open the door, he yelled, “I know who you are and where you live. Your fathers will hear about this” instead of stomp­ing on the fire.

If Krause was going to make phone calls, the Banks twins rea­soned, they need­ed to try out the dog shit on three oth­er hous­es on dif­fer­ent streets, get­ting rid of the bags and cre­at­ing oth­er sus­pects. Two fathers cursed into the dark­ness with­out accus­ing them by name. One bag burned out before a moth­er opened the door and said, “Who’s there?” None of them stepped on the bag of shit.

If Krause called any­one, it wasn’t Andy’s father or Mr. Banks. After a week, the Banks twins decid­ed dog shit was bor­ing. “Baby stuff,” they said, and told Andy they were look­ing for a stray cat to burn. “They run all over behind weirdo Nye’s house.” The Banks twins’ father always said Nye was a fool not to sell his tiny house and ten acres to devel­op­ers “because a place like that was a for­tune wait­ing to hap­pen.” The twins set out an opened can of tuna. When a cat approached, fol­low­ing the scent, Thad doused it with gaso­line from a red can he’d tak­en from his father’s garage. The cat squalled and tried to shake itself as if it had been caught in the rain, and then, while Andy backed away, Ted struck a match and tossed it.

The cat seemed to expand. It ran a few steps and rolled, extin­guish­ing flames that leapt back as soon as it turned upright. “Piece of shit,” Ted said, but Andy was already twen­ty feet away. By the time the last of the flames went out, he’d dou­bled that dis­tance, so far away that he imag­ined the twins sneer­ing and com­ing at him from either side with the rest of the gaso­line and an open flame.

In less than a month, on a Friday, Uncle Herb took what Aunt Willa said was “a turn for the worse.” Andy tried to imag­ine what could be worse. How sharp that turn had been.

On Saturday, Andy saw the Banks twins on Jack Nye’s hill­side, this time with a rifle.

You missed it,” Ted said. “Thad hit a bird with our twen­ty-two. He’s a dead­eye.” Ted had the .22 in his hands now, and brought it up to his shoul­der as a stray cat, one with all its fur intact, turned to face them, lick­ing itself in the sun.

Your turn’s next,” Thad said, mov­ing up on Ted’s right to get a bet­ter look.

Andy clapped his hands togeth­er, the cat wheeled, and Ted half-turned, his fin­ger still on the trig­ger. “You pussy,” he said, but the gun went off, and Thad grabbed his leg at a place just above the knee and went down.

Oh, shit,” Ted said, the words squeak­ing as if they were being squeezed from a place that had no air

Andy held his breath and released it slow­ly, some­thing his coach had told him to do to get set­tled and ready for the quar­ter miles he ran for the mid­dle school track team, but he hadn’t even moved before Jack Nye showed up, pulling off his belt as he knelt, tying it around Thad’s thigh, knot­ting it, and lift­ing Thad to car­ry him toward his ancient sta­tion wag­on, small dry coughs explod­ing from Thad’s open mouth until the doors slammed and they were gone.

Andy want­ed to say, “Who’s the pussy now?” but Ted had fol­lowed Jack Nye and his broth­er to the car, leav­ing the .22 in the tall grass, and there was nobody else run­ning his way. He picked up the rifle and point­ed it at the house where the Banks twins lived at the end of the street. He squint­ed and sight­ed and said, “Bang” before he dropped the rifle and walked home.

Nobody asked if Andy had heard gun­fire, but his moth­er said that Uncle Herb was dead. “Hemorrhaged in the bath­room,” his father said. “His lungs filled with blood, and he drowned while Aunt Willa was call­ing 911.”

He’s in a bet­ter place,” his moth­er said, her voice so odd, it sound­ed as if it came from far away, like she had trav­eled there and was report­ing the news.

~

Gary Fincke’s lat­est flash col­lec­tion is The History of the Baker’s Dozen (Pelekinesis 2024). He is co-edi­tor of the annu­al anthol­o­gy Best Microfiction.