Keith Woodruff ~ Two Pieces

My Birthday Card

is a burly, three-legged bear wear­ing a pol­ka par­ty hat. GoldieBear and his Three Legs hope your birth­day’s just right! When it arrives four weeks ear­ly, my first thought is you’re drink­ing again and sim­ply spaced on my date. One of my ear­li­est mem­o­ries of us: we’re drunk on your dad’s poor­ly hid­den vod­ka, sit­ting on your kitchen floor, and eat­ing Tang pow­dered drink mix by the hand­ful. Howling and laugh­ing we fall over, because the vibrant orange drool run­ning from our mouths is the fun­ni­est thing we’ve ever seen. Poets love to wax about Li Po’s leg­endary death. In a boat, drunk, he fell over­board and drowned try­ing to hug the moon’s reflec­tion. Other drunks die less poet­i­cal­ly, like in a clos­et with a belt. I nev­er saw it com­ing. Dear friend, who I love like a broth­er, you bas­tard. Who sends a birth­day card as a way of say­ing goodbye.

~

Rabbit Holes

Day 15

Nobody knows exact­ly when the check engine light came on in his dad’s head. They woke and he was gone, dis­ap­peared down a rab­bit hole, one where Sandy Hook did­n’t hap­pen, where chil­dren’s bod­ies weren’t torn apart and cri­sis actors are still get­ting checks in the mail. Word gets around. Everyone calls him Rabbit Boy. Near the hole’s edge, he sits on the ground doing home­work. Bike beside him. Some fam­i­lies have tiny bon­fires, hud­dle like refugees around their hole. Some have tents, stay overnight. Some holes are adorned with wreaths, pic­ture frames. In the dis­tance, prayer war­riors make a kind of mur­mur­ing hum. He thinks, cica­da. Five holes down, a girl with pur­ple hair waves at him. Nervously he waves back. Murder kit­tens begin claw­ing inside his stomach.

Day 44

Rabbit Boy won­ders how many last straws you give some­one. If it’s some­one you love, you can always find more last straws. His mom, though, final­ly ran out when his dad, face red with truth, told the Macksons that Covid is a hoax, Normies! They straight up put the con in con­sen­sus real­i­ty with that one! Their child had died of Covid. In the ear­ly days, his mom’s cry­ing undid him, was non-stop, a sound like high ten­sion wires mourn­ing. He imag­ines pur­ple hair girl is so per­fect she’d nev­er do any­thing that’s any­one’s last straw. As dusk bleeds across the field, he lights the red, white and blue Come Back can­dle. A Walmart exclu­sive. Every hole has one; the field is a con­stel­la­tion of tiny hope­ful flames.

Day 52

Everywhere he looks the ground boils with black holes. Purple hair girl is walk­ing toward him. She is wear­ing a Birds Aren’t Real t‑shirt that hangs almost to her knees. He stands and dusts him­self off.

Birds aren’t real?”

My dad gave it to me. I don’t know what it means.”

Oh, I thought it was a band.”

Grinning she says, “Are you real?” and pokes him in the chest.

Yup, for now. Pretty real still.”

I’m Gabby.”

Oh, Camo. Cam I mean. My dad calls me Camo.”

Who’s down there?” she asks. He makes a div­ing ges­ture toward the hole.

My dad.”

Where’s your mom?”

She won’t come. We’re estranged. From my dad. That’s what she says.”

Oh, e s t r a n g e d.” She says the word slow­ly as if he’s revealed the answer to a great mystery.

He does­n’t know what the word means but it feels right because every­thing feels strange. When he’d asked his mom what was wrong with dad, she took his chin in her hand and said with pained grav­i­ty, “Cam, dar­ling, he’s become a full-blown moron. I’m sor­ry. Hang in there.” Shadows grease the far edges of the field now. He’ll bike home soon, knows the porch door screen will be thick with June bugs drunk on the light, that he’ll have to slow­ly crack open the door and slip inside or he’ll set them off in a swarm around his face. This is what it feels like talk­ing with his mom about his dad; he has to be care­ful what he says so she does­n’t fly apart. In bed, as he begins to fade, he imag­ines trac­ing his fin­ger around Gabby’s lips.

Day 75

Every hole is a drain those left behind cir­cle every day. As he stares out across the field, a woman starts scream­ing, slap­ping her head like she’s on fire, then throws her­self down a hole. A beefy man with arms the size of legs stares at the ground where she’d been stand­ing, wipes his mouth with the back of his hand. Rabbit Boy’s days are spack­led togeth­er with end­less wait­ing, with unwa­ver­ing loy­al­ty. On his way to the field, he pass­es Chik-fil‑a. Every day, some­one in a black and white cow suit is on the curb, fran­ti­cal­ly danc­ing, flash­ing a sign that reads Eat Mor Chikin. He thinks all of this wait­ing, the numb­ing monot­o­ny,  is some­how prepar­ing him for the danc­ing cow job. If he did that, would Gabby think he’d become unreal?

Day 99

Biking back, Rabbit Boy thinks even if his dad comes back, pops out, smacks his lips and says, What’s up, Doc?, it won’t be the dad he wants; the dad who found a stray dog when they were hunt­ing last fall, and cooed as it greed­i­ly woofed down slice after slice of the beef jerky he gave it, and looked like he might cry as he cleaned the blood from its neck and paws; the dad who brought him home, nursed him back to health, even sat in the tub with him for baths until he was­n’t scared of the water, and named him Shambles.

 

When he gets to his hole, Gabby is walk­ing toward him with her moth­er, lawn chairs tucked up under their arms.

We have holes for dads,” she says with a shrug. “We’re leaving.”

Oh, leav­ing leaving?”

Leaving leav­ing,” she says back. Walking past him, she play­ful­ly pokes him in the chest again.

Don’t be estranger,” she winks.

Watching her walk away, he reach­es deep into his pock­et, feels around for anoth­er last straw and starts to cry when he finds the pock­et utter­ly emp­ty except for his shak­ing hand.

~

Keith Woodruff lives in San Antonio, TX and tends a back­yard full of moody toma­to plants. His poet­ry has appeared in Tupelo Quarterly, New World Writing Quarterly, and Rawhead. His flash in Wigleaf, Does it Have Pockets?, JMWW, Identity Theory and is forth­com­ing in Pithead Chapel and Heavy Feather Review.  His toma­toes have appeared on pas­ta and sand­wich­es. Read him in BSF 2017, 2019 and at www.keithawoodruff.com. He was award­ed a 2018 Pushcart Prize. @keithwoodruff.bsky.social