Home from the Hospital
I have a brand-new spine
built from an Erector Set,
the surgeon’s favorite tool kit.
T10-S1, or S1-T10 depending on
which direction you are looking.
I convalesce by watching videos
haunted by the birdlike sound
of whistles calling out their alarm
over federal agents brutalizing
ordinary people, and by this
I mean all of us. I was told
that my spine was built from
nothing, much like this poem.
That only air was between
the vertebrae, something which
seems hard to imagine
as though I have been floating
through my daily existence.
Still, sometimes it feels as if
the space between them
has been filled with my regrets,
so I am certain to remember them,
even in my dreams. Otherwise,
I spend these days looking out
the picture window onto
the bare trees and dead grass. And
the sparrows swarming frantically
around the feeders low on seed.
1/27/26
~
Winter Convalescing
I’ve not ventured outside once,
let alone in the cold night,
for seven weeks since
the day long surgery to straighten
my spine. So now it’s no longer
the initial for my first name,
a signature no one will ever read.
Trying to make myself useful
I slip out the door to take the trash
to the curb when Kathy
is on the phone with her sister
most likely talking about me.
But the full moon has risen
appearing fractured through
the spindles of a black tree.
Above the stars chime.
It’s the sound the bones
in my neck make, which is still
mine alone, bouncing singsong
off the Little Dipper
against metal screws and rods
shaped like a tulip.
I’m held together in an embrace.
Yet, indoors threats abound
in the daily news.
They conspire to enter through
my spine signaling that nothing
will stave off a coming fall,
whereas when looking up
at the night sky my bones
feel in harmony
with the constellations
and no harm can come to me.
~
The Girl on the Subway
On the return from Union Square/14th Street
we burrow our way through the tunnel
the lights go black and white like a movie reel.
I search for a poster depicting a poem
tucked in the far corner of the car for there is
little else on the subway to give me pleasure.
I knew I wouldn’t find a seat.
Too many giddy young people
wrapped up in bouquets of laughter
adorning the drab subway platform
rushing on to the car wearing shiny slacks,
slick ties, and elaborate tattoos.
Rayon dresses swishing, exuberant
by their glittering night in the square.
Seated are four adults on their phones
paying no attention to the surroundings,
nor to the little girl stuffed between them.
Her fine black hair is pulled back
illuminating a star-lit face.
She is clarity in the murky air.
Eight or nine, petite, wearing a pure
white dress, she is perched forward,
emerging from within her frame, shifting
a little within the rhythm of the car.
Having worked to snatch my attention,
her mouth flutters like tiny wings
amid the gray rattle to offer me her seat,
maybe all along wondering how to ask.
I smile, lean down as though
I was her father and thank her
in what must seem like a breath of air.
As my stop comes into view
I move toward the exit, but not before
I tap my finger on her forearm,
smaller than a branch on a young tree.
She looks up surprised, and while
not asking her name, I thank her again.
Carried forward by the current,
I step out of the car onto the platform
knowing the loneliness we shared.
And that she had bloomed
inside me making humble my sorrow.
~
Stephen Ruffus is originally from New York and lives in Salt Lake City where he spent his career as a college teacher and administrator. His work has appeared in numerous journals, such as One Art, Third Wednesday, Radar Poetry, and the Northridge Review. His chapbook of poems, In Lieu Of, was published by Elik Press. He has been a Pushcart nominee and a finalist for the Louis Award sponsored by Concrete Books.